Flanger

Mooer Pedals

E-lady

Classic analog flanger sound with filter mode and oscillator effects 2 Working Modes: Normal/Filter Full metal shell Very small and exquisite True bypass Specifications Input: 1/4” monaural jack (impedance: 1M Ohms ) Output: 1/4” monaural jack (impedance: 510 Ohms) Power Requirements: AC adapter 9V DC (center minus plug) Current Draw: 10 mA Dimensions: 93.5mm (D) × 42mm (W) × 52mm (H) Weight:160g

Electro-Harmonix Pedals

Stereo Electric Mistress Flanger/Chorus

Generate slithering "Axis Bold as Love" textures. Use Filter Matrix mode to manually flange your sound or select a flange point allowing musically frozen tonalities. This is the only pedal where lush Stereo Flange and Chorus work together seamlessly for the richest modulations that undulate and flow over any stage or recording. Colorful and seductive in stereo.

Boss

BF-3 Flanger

Building on the 20-year legacy of the famous BOSS BF-2, the new BF-3 flanger pedal gives guitarists and bassists an updated version of the classic BOSS flanger with the thickest stereo flanging sounds ever. Two new modes (Ultra and Gate/Pan) create stereo flanging with incredible depth--even Slicer-type effects and sounds that seem to "swirl" around the listener. An instant classic.

MXR Pedals

Micro Flanger

The Micro Flanger provides the same tones and textures as its big brother but with a simpler interface featuring Speed and Regeneration controls.

MXR Pedals

Evh Flanger

The EVH Flanger features an Unchained switch for instant EVH tone and comes fittingly adorned with Eddie's famous striped graphics.

Strymon

Orbit

With the Orbit dBucket Flanger, we’ve painstakingly recreated every aspect of some of the greatest vintage analog flangers. To go beyond that, we’ve also added features such as through zero flanging to take you where few have ever ventured before. Our high performance DSP is dedicated entirely to doing one thing and one thing only, delivering the ultimate flanger. Add true bypass, extensive expression pedal control, a favorite preset, super high quality analog front end and output sections, low power consumption and you’ll never want to let go of your Orbit.

TC Electronic

Vortex Mini Flanger

Ultra-Compact Flanger Pedal with Built-In TonePrint Technology

Electro-Harmonix Pedals

Deluxe Electric Mistress

The classic analog Flanger. An array of critically notched and tuned filters gracefully sweep the sound spectrum, creating shimmering, ethereal passages that are truly out of this world. Exclusive Filter Matrix mode disengages the automatic sweep, allowing manual positioning of the filter bank to achieve chime-like metallic tones and other unique effects.

TC Electronic

Vortex Flanger

Outstanding TonePrint-Enabled Flanger Pedal with 2 Built-In Flanger Modes, Deep Control and Stereo I/O

Ibanez

DFL Flanger

The Ibanez DFL was the first flanger to use digital processing, the IDPC (Ibanez Digital Processing Conversion) system which permits wideband, brighter flanging effects that were previously available only with rackmount digital processors. The DFL also features an extra wide 8:1 sweep ratio for deeper, wide-ranging flanging effects. This flanger can be heard throughout Rage Against The Machine‘s music catalog, and can go from “plane takeoff” to “underwater” and unlimited other flanging tones, with an extremely powerful and wide-ranging set of controls.

Sonicake

5th Dimension

Picture this: during one particular gig, you need a phaser for covering Pink Floyd's Breathe; then a chorus for playing the riff of The Police's Message In A Bottle; finally a flanger for rocking out the opening intro of RATM's Killing In The Name. Normally you would need 3 separate modulation pedals for all those 3 songs. But what if I let you know that there is an easier way to get the job done, with only 1 pedal, would you be interested? It is our latest efforts towards the digital modulation world--5th Dimension. SONICAKE 5th Dimension is an assembly of 11 most commonly requested digital modulation effects, adding multiple sonic dimensions to your tone, providing more possibilities for your tonal palate. It is more than straightforward to use, with a MIX knob controlling effects level; a DEPTH knob adjusting the effects depth; a RATE knob tweaking effects speed; a MODE selector choosing from those 11 effects. Those 11 effects all sound like serious deals to my ears. The tones will speak for themselves. The 11 effects are: 1) Phase 101, a crystal clear and bright phasing tone; 2) Jet Fln Br., a massive, jet-like flanger tone with plenty of feedback; 3) Jet Flane, a classic-sounding flanger effect; 4) Big Sky, vintage chorus sound inspired by the legendary solid state Jazz amplifier; 5) Stereo Chorus, a classic and lush chorus sound modulated by a triangle wave; 6) Liquid Trem, a bias tremolo sound inspired by the circuitry from a vintage tube amp; 7) Opto Trem, classic optical tremolo tone; 8) Roto 60, a vintage 4-stage phasing/rotary vibe effect; 9) Blue Vib, a natural and warm vibrato sound; 10) Cryin' Bot, a dynamic auto-wah envelope filter (DEPTH knob controlling filter frequency range); 11) Lofi, sample reducing effect (DEPTH knob controlling the downsampling rate, RATE knobs controlling the overall brightness).

Electro-Harmonix Pedals

Deluxe Electric Mistress XO Analog Flanger

The classic Deluxe Electric Mistress Flanger is available in a compact die-cast package with a number of enhancements to make the venerable analog pedal more user-friendly for today's pedalboard using players. The circuit remains true to its roots, but power is now supplied via a standard EHX9.6-200mA power supply which the pedal comes equipped with, or a 9 volt battery. True Bypass switching ensures maximum signal path integrity when the effect is switched off, and an LED has been added to indicate when the effect is engaged. The original Electric Mistress was introduced in 1976 and the Deluxe version followed two years later. Throughout its decades-long history, musicians have consistently been captivated by its rich, resonant flanging and unique Filter Matrix effect. In that mode the modulation waveform is disconnected from the flanger circuit, freezing the flanger and creating a matrix of filters. It enables a musician to achieve effects like the sound of chimes being played in unison with his or her instrument.

Chase Bliss

Spectre

Many decades ago, it is rumored that a certain, infamous “Spectre” created the effect we’ve all come to know as flange by putting a finger on a set of identical tape recorders, slightly altering the speed of one of the recorders. Through-zero flanging is an incredibly rare and inspiring effect, especially in the analog domain. By using two delay lines (as opposed to just one), Spectre can cross over the elusive “zero point.” This through-zero flanger pedal features an all-analog signal path that can be dialed in to create any amount of subtle and wacky flange tones. Spectre also boasts an impressive array of chorus and vibrato tones. Further, every knob and switch is connected to a little digital brain while your guitar signal stays 100% analog the entire time and never gets digitally processed. Since the control of the effect is digital, it opens up unprecedented effects and features that have never been heard or offered in analog stompboxes.

LongAmp

Roxanne

Custom handmade flanger pedal. It's a ultimate copy of classic vintage EHX Deluxe Electric Mistress flanger. 100% original circuit with MN3007 chip.

Chase Bliss

Spectre Blue Knob Mod

It all started with an email. Well no, plural. Emails. Customers seemed to be loving Spectre except for the inherent background noise that it had. The emails were particularly compelling because it was clear that this was an effect that people wanted, they just could not handle the noise. As for me, my intention with Spectre was primarily with high gain applications (i.e. copious amounts of fuzz in front of it to accentuate the “through-zero” effect) the noise didn’t bother me in that context. What was sad, however, is that you could hear the potential of the pedal as a clean chorus or flange but the background hiss was a turnoff for many. I dug back in. Armed with more noise mitigation know-how due to the Tonal Recall design process, I was better equipped to wrestle it this time around. The biggest issue I had with my initial Spectre noise reduction experiments was that it always affected the “whale-like” regeneration in a way that was a deal-breaker for me. This leads me to the other big change in the “Blue Knob Mod” – the regeneration control. It was crazy. It was temperamental. Well it still sort of is, just better. It also had the propensity to have huge, deafening dynamic swings in the whale sounds or (perhaps more maddeningly) the whale would sometimes disappear. I wanted to fix that. I wanted the whale to be more consistent and reliable and less prone to mega loud, unpredictable shrieks. So, with some hard work, a little luck, (an excellent suggestion from my employee Zack in regards to regeneration path signal flow), I think this is a much better pedal than when it came out a year ago. We are not trying to make money off of the mod, and are offering to do it for existing Spectre users for our manufacturing cost ($25) as well as shipping. Lastly (and most importantly) I have to thank YOU (yes, you) for your excellent feedback and suggestions as I try to make the best products possible.