Controls

TOP ROW

Time- This controls the delay time and goes from 0ms to just under 2000ms.

Repeats- Controls the regeneration of the delay, from zero repeats to near infinite.

Tone- Controls the tone for the delay line only. Roll off highs to the left, roll off lows to the right and get a flat response in the middle.

Mix- The is the volume control for the delay line. This blends in the wet with dry until 1 o’clock, 1 o’clock to 3 o’clock boosts the wet signal over the dry and 3 o’clock up brings down dry until it is fully wet when all the way up.

BOTTOM ROW

Expression Jack Assign Switch- Use this switch to map the expression jack to one of the assigned controls.

Decay- Controls the reverb decay length
R Mix- Controls the reverb mix
Time- This takes over for the delay time control and is DRASTICALLY different than the interface control. Using the expression pedal to control the time will give you all kinds of wild effects that can not be achieved by turning the knob.
Repeats- Controls the delay repeats
D Mix- Controls the delay mix
Toggle- This takes over for the toggle switch and will cross fade from forward delay in heel down position to reverse delay in toe down position.

Decay- Controls the decay length of the reverb, short decay counterclockwise, long cavernous decay clockwise.

Mix- This is the volume control for the reverb. Blends in the wet with dry until 1 O’clock, 1 O’clock to 3 O’clock boosts the wet signal over the dry and 3 O’clock up brings down dry until it is fully wet when all the way up.

Ratio Selector Switch- Selects delay subdivisions when time is set by the “Tap” switch.

1/1- Quarter Note
3/4- Dotted 8th
2/3- Quarter Note Triplet
1/2- 8th Note
1/3- 8th Note Triplet
1/4- 16th Note

TOGGLE SWITCH (MODE SELECTOR)

Both- This is the “standard” delay and reverb mode

Reverse- This is reverse delay mode with “standard” reverb

Swell- This is the volume swell mode

Effect Mode Features

BOTH

Both delay and reverb in standard forward mode
Reverb is fully stereo and follows delay in the signal path
All controls work as displayed
When using tap tempo to set the delay time, the repeats are cleared once new time is tapped in.
Hold Tap switch down to send delay into infinite repeats. On shorter Time settings, they will quickly go into oscillation and on longer Time settings, they will slowly build.

REVERSE

Reverse delay, normal reverb.
Ratio is always in 1/1 position no matter where the ratio switch is set.

Pro Tip: The other ratios will still work for standard delay, if you set the ratio for anything other than 1/1 when you are in Reverse mode, you will get really cool rhythmic patterns when using the Tap switch or expression pedal to switch between reverse and “normal” modes.
Hold down the Tap switch to temporarily send the delay back to forward mode and release the Tap switch to go back to Reverse.

Pro Tip: Use the expression pedal in the “Toggle” position to go back and forth from reverse to standard. This allows you to still use the Tap switch to send the delay into self-oscillation.

SWELL

Adds an auto swell to the entire signal path, much like slowly turning up the volume control on your guitar.
Reverb Mix controls the length of the swell, swell length becomes longer as you turn the control clockwise.
Swells are triggered by the input, regardless of input strength. To get the most from this effect, adjust your playing to a more staccato style and mute the strings after every note or chord.
This mode sums both left and right inputs on both the wet and dry paths to mono.
Hold Tap switch down to send delay into infinite repeats. On shorter Time settings, they will quickly go into oscillation and on longer Time settings, they will slowly build.

Tails Mode

The Avalanche Run also has a “Tails” mode. Tails mode allows the wet signal to naturally fade out after the effect is switched off. It has 5 Tail length settings that are selected by the Ratio switch during power up.

Jacks & Signal Path

The audio jacks are located on the north side of the pedal, along with the 9v 425ma power jack.

The Avalanche Run has a stereo analog dry path, a dual mono delay path and a stereo reverb.
To run mono; use the left input and output only.
To run stereo; through use both left and right inputs and outputs.
To run mono in and stereo out; use the left input and both left and right outputs.

mao osborne

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