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ToneDexter
ToneDexter®, from Audio Sprockets, is an amazing new pro preamp for acoustic guitar, violin, upright bass, mandolin and more, that restores the missing body sound to an instrument’s piezo pickup. ToneDexter stores WaveMaps® of your studio mic sound that you can recall when using just your pickup. The WaveMaps transform the pickup signal so that it sounds like a mic—lush, resonant, and natural. You can store WaveMaps of different mic positions and different mics, for each of your instruments.
UM2
Audiophile 2x2 USB Audio Interface with XENYX Mic Preamplifier
1 Rig
Preamp Coast Sonic Edition
We call this our Preamp because it is! The circuit is based on the our Chimera 30 watt guitar amplifier, but substitutes FET transistors for the vacuum tubes. The result is an extremely amp-like and versatile clean boost/overdrive/fuzz pedal that imparts rich harmonics and a very musical EQ to your signal chain…truly a Chimera in a box!
Echoplex® Preamp
The Echoplex Preamp recreates the EP-3’s legendary preamp mojo, following the same signal path with FET circuitry and a Gain control for up to +11dB boost.
Maiden
The Maiden V2 is now shipping. All of the original features of the V1 Maiden (see below) are still included. New features include the addition of a second footswitch for accessing either the mid boost, the EQ lift boost function, or both. The Maiden is a tube preamplifier in a pedal format. It is suitable for running directly into a power amplifier, running into the effects return of an amplifier’s effects loop, recording direct when combined with a cabinet/power amp simulator or for use as a booster/second clean sound when plugged into the front end of another guitar amplifier. There are two models available: the Maiden BF, inspired by the classic Fender blackface design and the Maiden D, based on the clean channel of a Dumble ODS type amplifier. These preamplifiers are primarily about clean tones but can also be set for edge of breakup sounds. The single Tungsol 12ax7 runs at high voltage for a full, rich and dynamic tube sound. The 9VDC power supply (provided) is converted to both 6VDC for the tube heaters and 275VDC for the tube plates.
Constable V2
The Kingsley Constable is a tube guitar preamplifier modeled after the classic "plexi" design of the late 1960's. It is designed to push a power amplifier directly but may also be used into the effects return of a guitar amplifier effects loop. While the most authentic plexi tones are achieved by using one of the above methods, the Constable also features a mode of operation that attenuates its output to allow it to be run into the front end of a guitar amplifier or in front of other guitar effects pedals, for a clean boost or mild to medium drive pedal. The Kingsley Constable uses two 12ax7 tubes running at high voltage (around 270VDC) to get the most authentic valve tone out of its hand wired circuit.
EIGHTY7
The LPD EIGHTY7 was designed to deliver the great guitar sounds of the 80's. The aim of this design was to capture the modified Plexi and JCM800 tones that LA recording studios were tracking in that era. Two modes, Green and Red, deliver a wide array of gain and tone combinations. Green mode is percussive and dynamic with plenty of body to punch through even the most demanding mixes. Red mode is more saturated and compressed for liquid leads and full chugging palm muted rhythms. A full Bass, Mid, and Treble tone stack allows complete control over the frequency shaping of your tone. Presence control to add or cut sparkle to help cut through the mix or blend better with your chosen amp. Whatever style of 80's guitar tone you prefer, the Eighty 7 can deliver. Built with top quality components and designed with durability and longevity in mind, the Eighty 7 can give as good as it gets. 24 volt internal operation from a standard Boss type 9 volt dc center negative power supply. True Bypass switching.
Preset
PRESET is a preamp but also an overdrive… Your choice! Mainly designed to be an “always on pedal” capable of giving your base tone the push you need, it is a great OD for itself.
Apex Preamp
The Apex Preamp pedal is a simple, all-in-one solution for metal guitarists looking for modern metal tone live and in the studio.
Noble Preamp DI
When you're playing Bass guitar you want to use tubes to get the best sound possible. Especially when you are playing your instrument directly into a mixer or audio interface. The beauty about tubes is that they distort gradually with low-order harmonics, which are perfect musical intervals. The second harmonic is an octave, the third harmonic is a fifth above the octave, the fourth harmonic is a second octave, etc. This is the reason tubes sound so good, and you will notice it. Their subtle distortion provides the natural harmonics lacking in electronic instruments, and restores the dimension and feel of your bass as it was intended to be heard.
2 Rigs
Gladio Double Preamp
We’ve always been fascinated by the sound of great artists like Robben Ford or Eric Johnson (to name a few) and it’s always been our dream to recreate those sounds in a pedal. To do that, we soon realized that the key was to be able to offer something close to the amps they were using. The design goal had a name: Dumble. This is the reason why GLADIO is an Overdrive with a realistic tube-compression behavior to mimiq the Dumble famous preamps saturation, still always retaining a rich touch-sensitive response. Why two channels? It’s all about versatility. GLADIO has two independent channels with totally different voices, which combined together offer an even wider range of sounds. WHAT ABOUT CHANNEL 1? The 1st channel is able to deliver a smooth and creamy sounds (inspired by songs like Robben Ford’s Cannonball Shuffle). It’s really transparent and with a round touch-sensitive response that helps enhancing the playing. Controls (Gain, Tone and Volume) are self-explaining and there’s a toggle switch called COMP to choose between two different compression levels. WHAT ABOUT CHANNEL 2? The 2nd channel is designed to offer a special hard clipping sound pretty much inspired by Sonny Landreth’s tone. Controls are all self-explaining and there’s a toggle switch called JAZZ/ROCK, which should not need presentations. WANT MORE VERSATILITY? The Gladio is eequipped with a special toggle switch to choose between two different switching modes. "S" which stands for "SINGLE" and "D" which stands for "DOUBLE". In Single mode you can use only one channel at a time, which means that pressing the footswitch of one of the two channels makes the other turn off (avoiding tip tap dancing). In Double mode you can stack the two channels to reach a huge fat Dumbl-esque sound.
Dual-Mix 2 Acoustic Guitar Direct Box and Preamp
A versatile preamp and direct box for stage or studio use. The AER Dual-Mix 2 is a 2-channel preamp for instrument/line or microphone signals. You can think of it as a small mixer, a DI to go straight into a PA, a line out to go to a monitor or amp, a headphone amp, or to add two additional channels to your amp.
Pure XLR Preamp
The Pure XLR Preamp has the same great sound and low noise circuitry as our best-selling Pure Preamp with the addition of a DI balanced XLR output and a phase switch. The Pure XLR Preamp is specially designed to complement our line of Pure pickups. However, due to its adjustable input gain and wide frequency range it will work with many more applications. The Pure XLR Preamp features +/-20 db bass, mid, and treble controls, plus an adjustable input gain control. Its noiseless circuitry provides unsurpassed clarity and power and the adjustable input gain allows you to dial in the precise amplification factor needed for your instrument. The addition of the phase switch is one of the most important tools for live sound amplification of any acoustic instrument. Phase switches are usually marketed as a feedback-controlling device, but they accomplish more than just that. Every acoustic instrument projects sound waves in a certain phase. The phase that is projected out of the amplified speaker source needs to be "in phase" with the acoustic instrument's own soundwaves or the result will not be optimal. If the amp projects in the opposite phase, the acoustic instrument will fight its own sound and no balanced tone can develop. Round and warm tone is only achieved when acoustic and amplified sound oscillate in the same phase. The Pure XLR Preamp's phase switch allows for instant correction of this problem. An LED light indicates if phantom power is present. The unit can optionally be powered by a 9-volt battery, which will not be drained as long as the phantom power provides more than 10 volts. Frequency response is 10-30,000Hz. The bass control is set to roll of at 100Hz, the midrange at 1.5kHz with extra large bandwidth and the treble are set at 10kHz. Input impedance is 1 meg. Output impedance on balanced XLR and 1/4" line out is 100 Ohm. The 1/4" line out can conveniently be used as a monitor out or for connection to a tuner.
EB-10
A tone tweakers delight, the EB-10 works as a preamp, EQ and boost with three available presets to meticulously craft your guitar's sound allowing for studio-grade electric guitar tone in a live setting. Each rotary knob offers up to 12dB of boost OR cut of Low, Mid, and High frequencies, based on where you have the toggle switches set. When the Boost switch is engaged, add a 10dB MOSFET boost for some great extra punch. Use the EB-10 to compensate when switching between low and high output instruments. Push through the mix during solos, or even use the onboard presets as three different gain stages by using combinations of increasing boosted EQ settings and the Boost switch! With nine different EQ positions on each knob, bring out new tonal characteristics you didn't know your guitar or bass even had. The EB-10 offers two operating modes, “Live” and “Preset”. In live mode, the pedal responds to current position of all the knobs and switches. Dial in a specific sound and turn the pedal on and off with the Bypass switch. In preset mode, the pedal offers preset slots to store three unique sounds. When in preset mode, the pedal is locked on and the user can scroll through the presets by clicking the Bypass switch. The pedal will boot up in the last known operating mode and if that is preset mode, it loads preset 1 by default. Enter preset mode by pressing and holding the bypass switch for 3 seconds until you see the preset light P1 turn on. Repeat to exit. You are in live mode when all preset lights are off. Refer to the manual on saving presets.
PZ-Deluxe
Control your tone on stage The PZ-Deluxe is an instrument preamp with a low noise front end that is capable of exceptional dynamics to adapt to all instruments including acoustic guitar, upright bass, mandolin and violin no matter what type of pickup system is being used. Powerful EQ controls allow you to shape your tone through the PA and a stage amp, with a low cut filter and 180° polarity reverse switches to help eliminate feedback on stage. A special PZB gain stage can be activated for use with instruments that have piezo transducers, increasing the input impedance to 10 meg ohms to eliminate the squawk and harshness that are sometimes associated with those pickup systems. The PZ-Deluxe also features a high quality Radial DI to provide a balanced output that can drive cables of over 100 meters (300ft) without noise into the PA system, and built-in mute and boost footswitches give you instant control for solos, instrument changeovers, or silent tune-ups on stage.
Platinum Pro EQ/DI Analog Preamp
Completely redesigned from the ground up, the all-analog Platinum Pro EQ universal instrument preamp delivers incredibly accurate sonic detail for any acoustic instrument. A discrete, high-headroom Class-A preamp uses precision, high-speed circuitry for the highest fidelity and low distortion. Classic Fishman tone centers with sweepable mid is combined with a switchable guitar/bass EQ mode, making it more musical for bass instruments and more universal for recording and performing musicians. The new Platinum Pro EQ integrates critical performance features like adjustable volume boost and a balanced XLR D.I. output housed in a beautiful, road-ready design. The Platinum Pro EQ is built to be stomped on with durable foot switches that activate the adjustable volume boost or high-contrast chromatic tuner. It also includes a simple and effective analog soft-knee compressor, effects loop and precision sweepable notch filter.
A Station
The A Station pedal is a powerful acoustic preamp with D.I. and microphone preamp. If it's acoustic you play (guitar, violin, mandolin, etc.), A Station will make it sound great. The mic preamp makes this perfect for songwriters and worship leaders. It is a must have for venues where performers are playing through the house.
Model feT
The Model feT is a transistor-based preamplifier designed around the legendary Sunn Model T amplifier. Those who have played the original know that while it excels at heavy tones when pushed, it is far more just an amp for stoner rock and doom metal. In fact, on its own it is a rather clean amplifier with a tone that is dark, yet clear and present. Most famous Model T tones come from putting a distortion or fuzz in front of the amp. Thus, the Model feT is designed to sound good on its own and with other pedals stacked into it. This pedal goes beyond the standard triode-to-JFET conversion to deliver massive headroom and volume output, in the true spirit of the amp which inspired it. And finally, the Model feT can be used straight into a power amp, greatly expanding its capabilities beyond that of a typical drive pedal.
Triad (2005 - 2010)
Preamp The first stage of the Triad is an extremely high quality analog preamp with gobs of gain available (from unity to +30dB) and a subtly addictive tonal enhancement. Mixer The second stage of the Triad is a switched loop that can be configured for series or parallel use with control over signal polarity and selectable high and low frequency filters. Boost The third stage of the Triad is a selectable, adjustable boost, ranging from unity to +10dB, with a unique musical tone control.
EXchanger
The first pickup enhancer that remodels your pickup without changing anything on your guitar. • Two year warranty • 30 Day Money Back Guarantee • Power supply is not included. Exchanger pedal uses standard 9V DC center negative power supply or 9V battery, current draw 15mAh • Size (L x l x h) 120 x 85 x 33 mm / 4.72 x 3.34 x 1.3 in
Blackbird Vacuum Tube Preamp
The Blackbird™ is a genuine all-tube preamp in a pedal! This tube tone engine is specially designed to give guitarists access to a wide palette of exceptionally classy guitar sounds whether recording direct to computer in the studio or when used with a tube amp in a live situation. The tone of the drive channel is best described as “Bourbon & honey”, being voiced for a full-bodied, warm, bluesy overdrive. As the gain knob is rolled-up the overdrive fattens up beautifully to become a rich distortion full of depth and even harmonic overtones. The gain channel also features a second, entirely different voicing (“Creamy” mode) which hot biases the tube circuitry, adding more odd harmonics to thicken up the soup for some devastating classic rock, crunch and creamy, harmonically-saturated guitar sounds. This channel utilises exactly the same dynamic and touch sensitive all-tube clipping circuitry found only in an elite few hi-end guitar amps. By simply digging in or easing off with the guitar pick the tube circuitry responds musically and works with you to create soaring expressive solos and its natural tube compression means you can effortlessly transition into rhythm or chord playing. The clean channel has a beautiful, open and glassy musical tone that lends itself to country and jazz playing, however, because it’s a replica of the ‘Blackface’ tube circuit, it too can be pushed into breakup and overdrive with higher output pickups or a booster pedal. A huge engineering effort has gone into developing and refining the thermionic circuitry in Blackbird and as a result of this the tone and feel of the pedal is superbly balanced – guitar tone really does not get any better than this. Again, this channel has great depth, clarity and richness – a polished, classy sound that tubes excel at. The Blackbird can be further ‘tweaked’ (a formal engineering term) to allow players sculpt their own truly unique signature sounds. The character of the overdrive response can be altered by adjusting tube bias points and swapping out tubes giving access to a virtually unlimited range of classic and undiscovered tube preamp voicings. It’s great fun – finding bargain tubes and experimenting. In the time it takes to change a light bulb tubes can be swapped out for N.O.S.(new old stock) vintage types such as Mullard, RCA, Tung-Sol, etc altering the gain, biting point, feel and fundamental tone of the Blackbird.
Feed Me V2
What is FEED ME v2? FEED ME is a EQ/preamp/tone shaper and possible level boost that takes any signal you feed it and applies a blend of high and low pass filters to provide the user with 144 different tone stacks of his/her choice via the two (2) 12-position rotary potentiometers (those blue and red pointy knobs). This pedal can be placed in any position on your pedalboard. Place it first and have a switchable tone stack to drive your other pedals. It will alter the sound of your instrument and pickups. For example, set up a tone stack/sound to make your strat sound more like a tele or your P bass pickup sound like a J. Place it after your all of your pedals and let them be effected by the tone stack. Make a muddy delay sound brighter or scoop the mids on a middy drive to make it feel more brutal for your noodle. There’s no wrong way to use this pedal…maybe you should consider buying one for the front and another for the back of your board…just sayin’… Updated instruction manual coming soon. Improvements to the FEED ME V2 circuit Grey and White rotary pots from old FEED ME version converted to single gang 16mm “normal” pots (easier to sweep through EQ filtering All pots moved farther away from footswitch (harder to smash pots with clumsy feet)
Analogizer
Got the digital blues? Coat your guitar in warm, organic tone. The new Analogizer thaws out digitally processed guitar, and gives you that analog sound and feel. Boost your solos with up to 26dB of gain. Fatten your sound. The Analogizer is perfect for warming up the harshness of your digitally processed guitar or for thickening up your already warm sound.
Bassbone V2 Bass Preamp & DI Box
Two Channel Bass Preamp and Boost Pedal The Bassbone V2™ is a two channel bass preamp with a number of customizable features to suit any type of setup or playing style, while providing superb audio quality ideal for a live stage or studio recording. The ultimate bass control center The Bassbone V2 combines high quality audio performance with the ability to take control of your tone and configure each feature to match your ideal setup. Seamlessly switch between upright and electric basses, while tailoring the signal from the upright with a three band EQ, high-pass filter, and a high impedance input for a more natural tone. You can engage your effects pedals with a single footswitch, and assign them to either input individually, or share them across both. A wet/dry control for the effects loop provides the ability to blend the original bass signal in with the output from the pedals, preserving the tone and clarity of your instrument. The Bassbone V2 also features a powerful clean boost that can be activated with a footswitch, or reconfigured as a mute switch for silent tuning on stage.
Gem Box III
The Gem Box III boasts 61 preamp models, 157 effects types and 300 preset tones, plus 26 impulse responses, with the ability to load your own. Nine effects modules are adjusted via nine buttons, while Joyo’s Studio software allows users to upload new amp models. Connections include stereo XLR outputs, USB recording, headphone in, aux in and expression output. There’s even a 52-second looper, plus a drum machine with 40 drum patterns and 10 metronome rhythms.
