Fulltone
Fulltone

OCD V2

Rigs

39

Fulltone OCD V2 on RigShare
The New Fulltone OCD V2 The OCD has received many slight tweaks over the last 12 years, often incorrectly identified as “version 2, Version 3, V4, etc.” In reality there has always been only one version…Version 1, with very slight variations after that making them V1.1 through V1.7. On 6/15/2017 we released a very new OCD, different enough that it warrants a V2 designation, an explanation and warrants a trip to your favorite dealer to give it another listen. Not a subtle change when turned on…not a subtle change when turned off (in E.B. mode). Sonic changes to OCD V2 NEW FEATURE output buffer (when pedal is turned on in True-Bypass mode, or always when in Enhanced Bypass mode) which eliminates it from being influenced by effects that came after it. Translation, your sound remains consistent regardless of placement in today’s more complex signal-chains, loopers, and pedalboards. This buffer also had a positive effect on the sound, it reduced loading on the pedal’s hard-clipping stage, allowing more sustain of both the sound and the overtones. NEW FEATURE Class A configured discrete 2N5457 JFET input section, raising the input impedance to 1 mega ohms (previously 330K) and increasing the dynamics…resulting in significantly better interaction with both single coil and humbuckers. NEW FEATURE Internal switch to choose between ”Enhanced Bypass TM” & True-Bypass, and with no popping sound in either mode. No other company offers EB…I invented it. A downside to True-Bypass: True-Bypass (TB) switching was the ultimate way to achieve a clean signal path for many years. Everything’s different now, most guitarists have elaborate pedalboards with 10 or more pedals being the norm, and tremendous potential for signal and tone loss with the many cables, connectors, and other pedals involved in the chain. There can be so much signal loss that it sounds nothing like the sound of a guitar with a cable straight into the front of a great tube amp. Uninspiring. What’s the pedal industries’ solution to this problem for the last 40 years? Unity-gain buffered bypass…i.e. a couple of Field effect Transistors (FETs) configured as unity-gain buffers ala Boss, Ibanez, etc, etc. What’s the benefit to unity-gain FET buffered bypass? It reduces the loading effect that occurs using long lengths of cable, and you remove the loud “popping” sound when switching the device on and off. What’s the issue with unity-gain FET buffered bypass? Although my ears always told me that it sounded “tinny” and that there was signal loss, with the help of a my favorite Electronic Engineer (using some very expensive test equipment) we recently documented that each unity-gain FET buffer actually cuts the gain somewhere between 0.3 to 0.6 dB. This loss of gain is in the low-Mids and Bass frequencies, resulting in that “tinny” sound now that the highs remained and some of the bass and mids are gone. Now factor in that there are two FETs per pedal required to couple the IN & OUT path, that’s an obvious loss of between 1dB-2dB per pedal. What’s an even bigger issue with this old style unity-gain FET bypass? It kills dynamic pick response, i.e. it kills the difference between picking soft and picking hard…Yes, when the pedal is in bypass! This to me is a deal-breaker, and while I’ve always felt this to be the case, it’s great to be able to actually see it on the scope. What’s the solution? Enhanced Bypass! Configuring both of the switching FET’s Class-A! By configuring a FET for gain (also referred to as wiring it “Class-A“) all the dynamics return (and then some), even if you only configure it with the slightest amount of gain, in this case: 0.3 to .06 dB. People rave about old EP-3 Echoplexes and Ep-3 type boosters, and although they know that they love what it does to the guitar’s sound, they can’t explain why. It’s because of the Class-A FET preamp! With a Class A FET the dynamics get amplified, allowing an even greater range of expression than if you were playing through a guitar and just one cable straight into your amp. The downside with EP-3 preamps is that they throw the signal OUT-of-phase, boost treble, and cut bass. Fulltone’s EB the signal exits the pedal IN-phase and doesn’t change the EQ at all. With OCD V2’s Enhanced Bypass you get this benefit whether the pedal is turned ON or OFF. This means that just having the OCD turned off in your signal chain makes the whole rig sound alive, fresh, and more powerful again. VISUALLY V2 has slightly smaller “OCD” and “Fulltone” logos, along with “Built in the USA” under the Fulltone logo. All Fulltone products are built in the USA, the V2 now says it. Make no mistake, nothing Fulltone is made outside the USA, but please know ALL resistors, knobs, pots, capacitors, switches, etc. for EVERY product in the world are made overseas! And because of that, legally you have to say "Built in USA" instead of "Made in USA." Next, the IN & OUT jacks are placed exactly at the halfway point of the left & right sides on V2, whereas with all previous versions the jacks were located more towards the bottom. Looking at the V2 display box you can see the larger decal and addition of “With internally selectable “True-Bypass” or “Enhanced Bypass.” SOUNDWISE? The stages added to the circuit changed the OCD, there’s no doubt, but it changed for the better. Words some people used to use to describe the OCD: “brash,”--“scooped sounding,”--“Bassy,”--“lacks sustain,”-- “too affected by other pedals”….NO LONGER APPLY. SIDE STORY I love Robin Trower, but I get frustrated when I see him play because he’s always using a (pre-Full-Drive2) 1992 3-knob Fulldrive that he got new from me back then. How does that help me sell new pedals? Recently I sent a V2 OCD to him. Then I get a call: “Mike, this OCD...it’s unbelievable, I like it better than my #1 vintage Full-Drive! It’s not brash like my other OCD’s.” (ouch) So now I’m confused, what does a new OCD have to do with an old Full-Drive? Not much, in my estimation. (Robin continues) “It is so natural, full-bodied, and the opposite of brash! I’m using it on stage, tonight’s the second night! Cheers!” Night & Day difference? You be the judge. Again I strongly suggest you try one at your favorite dealer, and then let me know what you think. They are at dealers now.

Price

$127.20

Musicians Using the OCD V2


What Musicians are Saying

One-liners are short gear reviews by the RigShare community.

2
Great Drive Pedal!
· gregheffley· 5y ago
2
Really great drive. Always run it on 18v with a lot of treble.
· gulu8585· 4y ago
1
very nice distortion, a bit fat and nice break up sounding
· pablovech· 5y ago

Let us know what you think!

Write a one-liner about the Fulltone OCD V2 or cast a vote!

sponsored
Buy and Sell at Reverb

Similar Gear

JHS Pedals Bonsai on RigShare
JHS Pedals
JHS Pedals

Bonsai

In the late 1970's the overdrive pedal was arguably perfected when Japanese engineers designed the sound that we now know as the heart and soul of so many of our favorite artists, recordings and sounds. Players ranging from The Edge, Trey Anastasio, Buddy Guy, Kirk Hammett, John Mayer, SRV, Carlos Santana and thousands more from every possible genre have utilized and depended on this classic iconic green box. If a single effect pedal was chosen to board a Voyager 3 mission and be solely responsible for showing the universe the sound of overdrive, it would undoubtably be Tube Screamer. It is probably the most produced and sold pedal in the history of guitar pedals! The Bonsai is our tribute to one of the greatest pedals ever created. Following in the steps of our Muffuletta (released 2015), the Bonsai utilizes a simple rotary knob to switch through nine classic, vintage, rare, or hard to find variations of the Screamer. Creating the Bonsai became an archeological dig of sorts that sent us deep into the history of this circuit by examining dozens of versions, variations and replications. At the end of it all, Josh chose nine of his personal and favorite units and we painstakingly replicated every nuance and aspect of each pedal. One of the most challenging parts of this project was accounting for component drift as many of these pedals were decades old and the internal components had strayed from their original values. Each pedal was individually replicated using our Audio Precision analyzer and various other methods that allowed us to perfectly replicate every aspect of the sound and feel of the unit. It's important to know that the Bonsai is not a "box of mods," it is exact replications of these nine units all housed in one box! The Bonsai is exact replication, not emulation. When you choose a mode on the Bonsai rotary, you are actually activating components specific to each mode and playing the unit that Josh chose along with all the quirks, drift, vintage mojo, and individuality that a vintage pedal has.