Audio Effects and pedals are a critical part of how a musician develops their sound signature sound. Effects are used to alter any sound using various parameters that can be fine tuned to create a desired tone. Commonly used effects are reverb, delay, equalization (EQ), compression, overdrive, distortion and more. As technology continues to advance, musicians are becoming even more creative in shaping their tone by using different combinations of effects with their instruments.
Plug into BigSky and instantly lift your sound into the stratosphere. The world below you fades into the distance, and you’re elevated into a glow of lush, glorious, radiant reverbs. To create a reverb experience as natural, beautiful, and immersive as BigSky required tremendous feats of sound engineering and artistic imagination. Using the fundamentals of acoustical science as our beacon, we carefully studied and scientifically analyzed reverb technology from the past fifty years. We faithfully captured the essence of these classic sounds, and forged ahead to dream up our vision of reverbs from the future.
When we decided to create a studio-class stereo delay effects pedal, we knew we must go well beyond what has been done in the past—in sound quality, sonic flexibility, hardware design, and processing power. We spent months locked up in the Strymon sound design labs dreaming up the most spacious, lush, creative, and tweakable delay effects ever heard. It was a monumental task—a relentless study of delays and their nuances, and a continuous pursuit of innovative and musically inspirational sounds. Utilizing a ridiculously powerful SHARC DSP, every drop of processing power is harnessed. TimeLine provides you with twelve unique delay machines, each with extensive control over sonic character and feel. Go from crisp and clear, studio-quality digital delays all the way to the saturated and fluctuating sounds of tape delay machines. Get warm and fuzzy analog style repeats all the way to shimmery, sparkling, and crystalline ice delays. Tweak to your hearts content and save up to 200 presets of your favorite sounds. Top it all off with full MIDI implementation and a routable, 30-second stereo looper and you’re on your way to delay bliss.
VP JR. Passive Volume Pedal
The Ernie Ball VP JR. Passive Volume Pedal has a durable, compact design that allows more floor space. It features a potentiometer with 250kOhm resistance suitable for the audio path of passive instruments. A micro taper switch gives you 2 distinct swell rates. A tuner output provides silent tuning in the heel-down pedal position. The potentiometer has a 250k ohm resistance suitable for the audio path of passive instruments. Behind the jack area under the footplate is a micro taper switch which provides the user two distinct volume swell rates. Overall Volume Pedal Junior dimensions: 3.5" W x 10" L x2 3/8" H . The main pivot shaft is of centerless ground 1/2' diameter stainless steel, precision seated though nylon bushings at both ends. Tough long lasting Kevlar cable transmits pedal travel to the controls and is attached by stainless steel springs.
TU-3 Chromatic Tuner
The world’s top-selling stage tuner, the BOSS TU-2, evolves and improves with the debut of the new TU-3. Housed in a tank-tough BOSS stompbox body, the TU-3 features a smooth 21-segment LED meter with a High-Brightness mode that cuts through the harshest outdoor glare. Choose between Chromatic or Guitar/Bass tuning modes, and enjoy visual pinpoint tuning verification with the Accu-Pitch Sign function. The TU-3 incorporates a convenient Note Name Indicator that can display notes of 7-string guitars and 6-string basses, while the Flat-Tuning mode can support up to six half-steps. It’s the new-standard tuner that no guitarist or bass player should be without!
The new Xotic SP Compressor offers the same OTA (operational transconductance amplifier) technology used in what many guitar players consider the best compressor ever, the Ross Compressor. Our new SP Compressor has superb tone quality featuring a wide variety of compressor tones from vintage,to subtle, to modern and more. It's super flexible and features a dry blend knob, up to +15dB of boost and an internal dip switch for attack control. This compact design is a powerful tool for the working musicians. True bypass for eliminating any signal interference when switched off. Can be used with AC adaptor (optional) or 9V Battery.
Julia Analog Chorus/Vibrato
The Julia is a fully analog, feature-rich chorus/vibrato packed with a wide array of tonal landscapes begging to be explored. She is able to produce mild smooth chorus, to seasick vibrato and everywhere in between. With controls like Lag, Dry-Chorus-Vibrato Blend, and selectable analog LFO wave shapes, you are able to dial in all types of classic and unique chorus/vibrato sounds; some settings giving a familiar feel while others are not found on traditional chorus pedals. A special feature of the Julia is the Lag control. The Lag knob lets you set the center delay time that the LFO effect modulates from. From smooth and tight modulation at lower settings, to warbling detune at maximum, the Lag knob adds a new dimension to the traditional Chorus/Vibrato landscape. Extended Info While most chorus/vibrato pedals offer a toggle to go between the two effects, we’ve provided a knob to blend between Dry, Chorus, into Vibrato (labeled d-c-v on the pedal). The Dry-Chorus-Vibrato Blend changes the ratio of dry to wet signal sent to the output. At minimum, you will hear no effect. Set it to noon for equal parts dry and wet – the traditional chorus setting. Set it to maximum for 100% wet – the traditional vibrato setting. Explore the ground between minimum and noon for adding slight amounts of movement to your dry signal (also making the Julia great on bass guitar). Explore the ground between noon and maximum for all sorts of unheard chorus/vibrato combinations. The Julia comes in a deep lavender colored enclosure with surf green ink, featuring original artwork of the water mystery, Julia revealing the tip of her hand telling more of her true story.
DD-500 Digital Delay
Filled with newly developed BOSS technology, the DD-500 is the most powerful and versatile stompbox delay ever created. This incredible sound-creation toolbox offers 12 distinctive delay modes with exceptional audio quality, plus deep editing controls, a graphic display, patch memories, MIDI, and much more. From basic echo to dead-on emulations of classic delays to incredibly lush spatial textures that take your breath away, the DD-500 will launch your music places you never thought possible. DD-500 Version 2 Software: New and Improved Control Parameters, Routing Options, and Effects for Increased Performance Flexibility The feature-packed Version 2 software update brings powerful new performance enhancements and unparalleled flexibility to the DD-500. Even more control has been added, with an improved A/B simultaneous mode for advanced routing as well as new Series and Parallel modes. Five new effect types have been added to the current delay algorithms, plus many updated parameters common to all modes. The update also offers lots of user-requested features, including additional MIDI controls, new modulation types, a feedback loop function for inserting external effects, adjustable input and output levels, selectable EQ position, and more.
Tube Screamer TS9
The Ibanez TS9 Tube Screamer is a reissue that's just like the original in so many ways. Same housing, same famous seasick-green paint, and the same crankin' overdrive that made the original one of the all-time classic pedals. Guitar Player called it the best. Plug it in. Crank it up. You'll hear what all the fuss is about. Tone, drive, and level controls. •Drive, Tone and Level controls •Power Supply: One 9 volt battery (006P) or external AC adapter (Use only DC 9V (Negative center pin))
The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made it’s way onto countless records and performances—from early surf, swampy bayou blues, spaghetti westerns, film noir soundtracks, to modern day indie rock. There are certain things in life that just belong together—the blend of tremolo and reverb create the perfect pair. Given this storied history, there was no doubt that we wanted to develop a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities, and faithfully accounted for every detail in our hand-crafted algorithms. Flint harnesses the complete power of a SHARC DSP to authentically exhibit these details. Flint gives you the soothing, pulsating, and hypnotic effects that were pioneered in vintage amplifier tremolo circuits, along with three classic and completely unique reverb algorithms. You get the sonically complex ’61 Harmonic Tremolo, the swampy and sultry ’63 Power Tube Tremolo, and the sharp and balanced ’65 Photocell Tremolo. You also get the classic ’60s Spring Tank Reverb, the inventive ’70s Electronic Plate Reverb, and the nostalgic ’80s Hall Rack Reverb. With eight parameters to tweak, you get extensive control over the tremolo and reverb characteristics. Go from splashy, pulsing twang, to throbbing, swampy blues, all the way to ambient, trembling, and serene reverberated pads. Couple that with true bypass, and a high quality analog front end and output section, and you have yourself the history of tremolo and reverb in a pedal-board friendly format.
The BOSS TU-2 Chromatic Tuner incorporates BOSS' world renowned TU-Series tuner technology into an ultra-convenient stompbox design. For the first time ever, guitarists and bassists can now tune their instruments with unrivaled accuracy and an unmatched tuning range--with just a single stomp.