One-liners are short gear reviews by the RigShare community.
Write the first one-liner about the Diamond Pedals TRM1 – Tremolo
Honey Comb Deluxe
Have you ever heard a vintage Fender blackface or Vox tremolo dripping like honey from the speaker? Then you know how rich and sweet this kind of tone can be. The Honey Comb Deluxe faithfully recreates this beloved amp tremolo with a warmth and character you would only expect from a vintage amp. With two channels of tremolo and the ability to switch on the fly, you’ll be licking your fingers with the sticky goodness coming from the Honey Comb.
This tremolo pedal features an all-analog signal path that can do any variety or shape of standard volume modulation, harmonic tremolo (inspired by vintage Brownface) or both simultaneously for a truly unique and beautiful tremolo sound that sits just perfectly in a mix. The first thing your guitar hits in the signal path is a gorgeous, transparent, discrete class A clean boost circuit, and is followed by buffering and tone shaping with famed Analog Devices AD823 opamps for perfect tonal clarity, and analog warmth. Further, every knob and switch is connected to a little digital brain while your guitar signal stays 100% analog the entire time and never gets digitally processed. Since the control of the effect is digital, it opens up unprecedented effects and features that have never been heard or offered in analog stompboxes.
Discover the true spiraling and hypnotic potential of advanced stereo tremolo. The Vertigo offers three distinct tremolo effects. Normal tremolo delivers a divine renewal of the thumping “opto trem” amplitude modulation found in vintage Blackface Fenders. Harmonic revives the haunting sway of the Fender Super’s “Vibrato” effect from the early 60s — this vintage tremolo ping-pongs between a low and high frequency boost, creating a swinging phaser-ish effect. Finally, the sweetly overdriven Bias tremolo creates the swampy “bias wiggle” of early tube bias modulation. The Vertigo takes the tonal possibilities a step further with its Shape knob, which allows users to morph the LFO wave shape from square, to sine or opto, to saw tooth.
Welcome to your new Hummingbird™ Repeat Percussion tremolo! The Hummingbird is a choppy, sawtooth tremolo modeled on the vintage “repeat percussion” unit and similar to those found in old Valco and Vox amplifiers. It is capable of producing everything from classic “50’s style” shimmering tremolo to a synthy, delay-like chop that turns your signal into a burst of short pings and on through to near ring modulation speeds. Simply choosing between modes 1 (slow), 2 (mid-tempo) or 3 (fast) and adjusting the rate and depth controls will unlock a whole new world of amplitude modulation at your feet.
Analog Optical Vibe Machine Ahoy! Welcome to your new Depths™ Optical Vibe Machine! The Depths is our take on the classic optical vibe circuit. Now you can swab the decks with the same lush, pulsating, three-dimensional swirling sound you know and love, with some modern accouterments for all you land-lubbers out there. The Depths is optimized for use with all kinds of instruments, pickups, and to play well with dirt, so nobody’s left waiting on shore. If it’s got a ¼” output, plug it in and get deep! The Depths is true-bypass, uses rusty all-analog circuitry, and is built one-at-a-time aboard the wreckage of the SS Minnow, currently dry-docked in Akron, Ohio, USA.
Hey champ! Welcome to your brand new Night Wire! The Night Wire is a feature-rich harmonic tremolo. What is harmonic tremolo? In short, the signal is split into high pass and low pass filters, then modulated with an LFO that is split 180 degrees. The Night Wire takes the traditional harmonic tremolo a few steps further by allowing the center point of both filters to be adjusted for different tones. The filter frequency has three modes: Manual, LFO and Attack.
Fulltone Supa-Trem Model ST-1, the finest amp-style Tremolo pedal you can buy since 1996, just got a whole lot better... It's now also an INCREDIBLE sounding clean boost! For years people have been turning the ST-1’s MIX knob down all the way, opening the pedal, and turning up its internal volume control to maximum, and using the Supa-Trem as a very subtle clean boost. Now I’ve put a low-profile VOLUME knob on the outside of the pedal, and increased its available gain to around 15dB... allowing the ST-1 to pull double duty as a stellar clean boost. One reason the Supa-Trem sounds so good is that it uses a wonderful Analog Devices JFET AD711JN at the heart of its circuit, giving you a warm yet clear tone when your pedal is turned on.
The Cusack Music Tap-A-Whirl V3 is the world’s first analog tremolo pedal with tap tempo built in. Now with 24 waveforms, stereo out, and tap jack! A smooth, pristine tremolo effect, with the added benefit of tap-tempo. It can even be used in stereo for ultra-wide soundscapes. Tap your foot twice on the tempo switch to set the tempo. Choose from 24 predefined wave forms, including: sine, ramp, blip, bleep, square, waver, echo and ping pong. Adjust the depth of the tremolo.