Neumann
Neumann

U47 FET #G1129 (Vintage)

Neumann U47 FET #G1129 (Vintage) on RigShare
FET version of the classic U47 tube mic. Price includes Premium VK servicing - an $800 value! A great utility mic for just about anything. Exceptional on kick, guitars, lead vocal - especially when you need a tight cardioid for tracking keeper vocals on a live session, but want to prevent bleed. History The great success of the U47 tube condenser came to an end when Telefunken ceased the manufacture of the famous VF 14 tube. Neumann responded by developing the U 67, the large diaphragm tube microphone meant to be the successor of the U 47. As the 1960s progressed, solid state technology became increasingly popular, and the Field Effect Transistor, or FET, became an important part of microphone technology. Neumann capitalized on its special properties to develop not only the U 87 - a FET version of the tube U 67 - but also the U 47 FET, a microphone that was a solid state revival of the venerable U 47. The new 47 used the same head grille design of the old 47, which was an important element in the sound of the microphone. It also used the same K47 capsule, a dual diaphragm design. Since this new mic was to be a fixed super cardioid, only one side of the capsule was necessary, so all K47s that were not up to spec for use in the M49 (which required both sides to match in order to reproduce an omnidirectional pattern) ended up being used for the 47 FET. Although revered today, the mic did not catch on at first, with many engineers comparing it unfavorable with the tube 47. But when it was realized that this mic could handle very high sound pressure levels, it eventually became a 'go to' mic for the kick drums and loud guitar cabs that were becoming popular with the growth of heavy rock and roll. From 1969 to 1986, the marriage of loud rock and 47 FET was like a match made in heaven. From the original Neumann owner's manual: "The U 47 fet i Condenser Microphone is a versatile studio microphone of the fet 80 series. It continues the tradition of the venerable, world renowned U 47, and combines its acoustic properties with the most up-to-date amplifier technology. The microphone capsule is elastically mounted within a metal wire mesh grill housing and is substantially protected from wind, pop and mechanical shock interference. The axis of maximum sensitivity is from the side, at right angles to the axis of the microphone body, and is marked with the NEUMANN insignia. The capsule is a pressure gradient transducer with a super-cardioid characteristic. it consequently has a greater directivity index than a cardioid, which brings advantages as a result of greater attenuation of sounds impinging from the sides. Aside from this it is also the directional pattern which provides the least sensitivity of the rear hemisphere. When properly set up, the U 47 fet i provides optimum protection against positive feedback as, for instance, in sound reinforcement systems. The specially designed impedance converter (not a gain stage) provides highest output capability, while maintaing low current consumption, making the recording of loud instruments at close range (trumpet, for example) possible with low distortion. The dynamic range of the U 47 fet i, is 112 dB (boundary SPL of 137 dB). By switching the amplifier feedback to the "-10 dB" position, this boundary SPL may be raised to 147 dB. A second switch compensates the low frequencies inherent in all pressure gradient microphones at close proximity to sound sources. This switch also permits undesirable low frequencies below 200 Hz to be suppressed, while linearizing the low frequency response for source-to-microphone distance of about 20 cm or 6 inches. A further switch reduces the output level by 6 dB. Several design features render this microphone largely immune not only to parasitic alternating currents in the cable shield, so called ac-induced hum, but also to interference caused by radio and TV transmitters as well as radar equipment."

What Musicians are Saying

One-liners are short gear reviews by the RigShare community.

Let us know what you think!

Write the first one-liner about the Neumann U47 FET #G1129 (Vintage)

sponsored
Buy and Sell at Reverb

Similar Gear

Zvex Pedals TB-1 Tea Ball Microphone on RigShare
Zvex Pedals
Zvex Pedals

TB-1 Tea Ball Microphone

Introducing the model TB-1 Tea Ball Microphone by ZVEX Effects, designed for specialty use on stage and in the studio. The special circuitry of the TB-1 causes it to reject sound from sources that are further than an inch or so away from the grille. This allows the mic to be placed on stage in a loud environment and plugged directly into a guitar amp that's turned up to a level that would cause any normal microphone to squeal furiously. In the studio when recording a guide vocal track in a live recording room, the TB-1 will reject the amplifiers and drums. This way the guide vocal can be used for rough mixes without fear of hearing other instruments or room ambience loudly in the background. Why is it called the Tea Ball Microphone? It's actually built inside a stainless steel tea ball, the kind of device used to make a hot mug of goodness from a tin of loose tea. The clip that holds the tea ball shut is used to open it up to change two CR2032 batteries. These have a life of about 100 hours and presently cost less than $10 for 20 units on Amazon (Sony CR2032). The mesh on the tea ball will never chip your teeth like an SM58 because it's quite springy. That's important because the best sound from this mic comes from putting your mouth right up against it. The entire mic disassembles easily by unplugging the electronics and lifting out the internal foam windscreen which can be washed in soapy water. Be sure to dry it before reassembling. The mesh ball is suspended inside a thick copper hoop using three springs for a look like something from the early part of last century. The TB-1's output level is similar to that of a guitar. It has a 1/4" female jack that runs smoothly parallel to the microphone stand. The mic is powered up by being plugged in and turned on with a switch on the back. When the mic is unplugged, the battery will not drain no matter which position the power switch is in. When the mic is live, an LED gently glows near the switch, visible from FOH so that the sound engineer can be sure it's working. Enjoy!

Audix Microphones SCX1 Drum Microphone on RigShare
Audix Microphones
Audix Microphones

SCX1 Drum Microphone

The SCX1 is a professional studio cardioid condenser microphone designed for a wide variety of recording, broadcast and live sound applications. Known for its high sensitivity, pin-point accuracy, low profile and consistency, the SCX1 is also available with hypercardioid (model SCX1HC) or omni-directional (model SCX1O) capsules.With a smooth uniform frequency response from 40 Hz - 20 kHz, the SCX1 is very consistent when responding to on and off-axis signals, and exhibits excellent phase coherence and minimal proximity effect. The SCX1 is characterized with a wide cardioid polar pattern; this, coupled with the high output and sensitivity of the microphone, makes the SCX1 an ideal choice for miking overhead, drums, instruments, room ambience, orchestral sections, stringed instruments, piano, vibes and sound effects. The SCX1HC condenser microphone is a number one choice for miking hi-hat both live and in the studio.Other features include a 21 mm gold vapor capsule, miniaturized electronics and an extremely small footprint. The SCX1 will handle sound pressure levels of 130 dB and will provide up to 20 dB of ambient noise rejection. In addition to acoustic instruments, the SCX1 is an excellent choice for group vocals, speech or Foley work. The SCX1HC has become a popular choice for interior dialogue boom pole miking. It has a precision machined brass body, interchangeable capsules, black multi-layer class ‘A' liquid finish and gold plated XLR connector. The SCX1 studio condenser microphone is manufactured to exacting standards and tight tolerances.