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Write the first one-liner about the Wren and Cuff Effects Pedals 47/73 Classic
Aftershock Bass Distortion
Get down and dirty with the AfterShock Bass Distortion. Out of the box, this stereo pedal delivers three bass overdrive engines that span the gamut of low-end crunch, from smooth and natural overdrive to full-on fuzz attack. The Tube engine belts out a subtle, but powerful vintage tube overdrive with a smooth breakup and plenty of punch. Heavy creates an aggressive scooped sound with ample highs and thundering lows. The Fuzz engine offers intense germanium fuzz tones with loads of bottom and mucho grit. The Aftershock’s simple, yet powerful control panel provides the tools to finely sculpt the perfect bass tone. The Clean knob lets you to mix in just enough clean signal to maintain a rock-solid low-end without compromising the pedal’s SONIC GROWL. Adjust the onboard Tone control and find that thunderous sweet spot for any bass/amp combination.
Welcome to your new Acapulco Gold™ Power Amp Distortion! The Acapulco Gold is a dirt-simple distortion Device modeled after the sound of a cranked vintage Model T amplifier, bringing the openness, clarity, and crunch that only a dimed tube amp can provide, at a fraction of the size, and without expensive maintenance costs!
Unlike its cousin the FD2, the FD3 uses both a JFET input and a JFET op-amp, giving it the most tube-like sound you can get out of a tubeless pedal. Along with great sound, these JFET’s give the FD3 an ultra-high Input impedance which allows the pedal to mate with any type/gain of pickup and react well to changes in your guitar’s volume control.
Housed in a beautiful powder coated Blue 16ga. steel enclosure, the dual-channel Full-Drive 2 Mosfet gives you the best of both worlds. The first channel is the Overdrive Mode, capable of clean boost or non-compressed overdrive or choose light to medium softer overdrives all while retaining your guitar's original tone. The Tone knob is a very effective presence control that can smooth out or add upper harmonics. The second channel is the "Boost Mode" with its own separate distortion control for medium to higher gains with a more singing violin-like sustain!
What’s this, another touch-sensitive, dynamic, natural sounding overdrive/distortion to confuse the marketplace? Nope, this is the Fulltone “Secret Frequency. “Secret Freq.” for short. Although it does the gig-friendly clean boost and OD thing as good as any, it goes well past that when asked to, right into Rock territory while retaining a natural sound. Dynamic asymmetrical clipping gives the Secret Freq. a sweet, musical clean boost, juicy overdrive, and rich, touch responsive high gain sounds. Not like the PlimSoul, nothing like the OCD, and not like any other pedal, but worth the price of admission were you to use it simply as is for your “bread and butter” OD/Distortion pedal.
For many, many years you've basically had 2 choices for your Overdrive/Distortion pedals: You could either get "Soft-clipped" Bluesy, slightly compressed, (Toob Screemer, FD2, etc.) type Overdrive pedals... or you could get "Hard-Clipped" (OCD, Distortion+, Boss DS-1, etc.) type Distortion pedals. What if there was a pedal that offered both? There is now... the Fulltone PlimSoul with it's Patented (US Patent#8471136) and completely unique dual stage clipping circuit which VERY accurately replicates not only the sound, but *the feel *of a tube amp with all of its subtleties and complexities. PlimSoul has those Softer Bluesey, Compressed capabilities but also has a Second Stage that you can roll in with the turn of a little dial to add that firmer, crunchier, British output tube style Distortion! What's more is you not only hear and feel it... you can SEE the pedal reacting to your every mood via a firey LED that glows brighter and dimmer depending on how distorted it is and how hard you're hitting it.
Gain Changer SR
The NEW Barber Gain-Changer SR harnesses a vast spectrum of EQ and gain. Flick the toggle one way and you have sweet very low-gain overdrive, flick it the other way and you get wildly charged harmonic content of our much praised unLimiTeD distortion. Pop over to the other toggle-switch and you can volley between the flat sweet-EQ of the LTD SR , the vintage snarling-fat-EQ of our classic LTD v2 or a new voice that combines flat EQ with a little added fatness. Combine all these different options together and you have a super-versatile harmonic beast. Our goal was to shrink the size of our pedals and retain all the ultra-high quality electronics and build quality that we are world famous for. In the end, it’s almost impossible to miss the target if you are shopping for a new overdrive for your rig, “it’s like shooting fish in a barrel Jethro."
The BUSS brings back the classic sounds of The Barber Burn Unit and Super Sport pedals (hence the name BUSS). The Burn Unit's sounds are big and fat, and were tuned to match a $50K Dumble ODS amp, which was sitting in our shop for nearly a year while we listened and tuned the Burn Unit to perfection. The Super Sport mode is designed to nail down the muscular modified Marshall tones of the late 70s and 80s . The first toggle switches between the Burn Unit and Super Sport sounds, while the second toggle selects levels of harmonics and dynamics which can be applied to both the Burn Unit and Super Sport sounds. The BUSS uses exceptional components from the past and present, including Elna silk particulate caps to unobtanium germanium overdrive elements. Tremendous sound, build quality and a stellar value . Made in USA.