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Expanse
What is Expanse? It's a reverb, an echo, a shimmer and a chorus. It's all of these and more! Expanse can be programmed as any effect in Expanse Software: Reverb (Wet, hall, plate, spring, modulated); Shimmer; Echo, with/without reverb; Chorus or Detune, with/without reverb; Flanging;Phasing, Phased Doubling; Tremolo.
6 Rigs
PROFILER PowerRack™
PROFILER PowerRack™ guitar amp. Black faceplate and green housing. Including 600W power amp. The KEMPER PROFILER™ is the all-in-one solution for electric guitar and bass. It's a multi-effects processor, preamp and optional power amp. Due to its high connectivity, it fits perfectly to any situation, no matter if you're playing live, at home or in the studio. It ships with hundreds of the best amps in the world, with PROFILE™s taken under perfect conditions in professional studios worldwide. The PROFILER allows you to capture the sonic DNA of any amp with the press of a single button - a unique technology, called PROFILING™, invented by KEMPER™.
2 Rigs
Tube Tape Echo
Fulltone Tape echoes are the best sounding and feeling echo devices you will ever play through, and if you buy one I bet that you will own it for the rest of your life. It's not easy or cheap hand-building Tape Echoes in the USA, in California, none the less. It is an intense labor of love and a source of pride because honestly no one else can do it but me...or they would.
1 Rig
TGE-05 Echoplex Digital Pro Plus
Phenomenally powerful and endlessly versatile, the Gibson TGE-05 Echoplex Digital Pro Plus is a tool looking for an imagination to wield it. The convenient 19" rackmount unit brings together digital recording, sampling, and digital delay so that musicians of every type can utilize these powerful components in both studio and live applications. An amazing 16-bit/41.5kHz RAM recorder lets you playback and record simultaneously making ambient soundscapes, reversed loops, and rhythmic drones easy to create and shape. It might help to think of the Echoplex as a sequencer for audio instead of MIDI, with all the capabilities of a sampler and a delay effect that ranges far beyond any pedal available. A progressive undo feature allows you to overdub with confidence. You can add unlimited overdubs onto any loop you record. The Echoplex Digital Pro is designed by and for musicians. The intuitive and efficient controls on the rackmount unit and footpedal make it easy to use and settings are displayed through a multifunction LED. The switches on the optional EFC-7 foot control unit can also be custom configured, and play an integral part by allowing you to access all of the unit's main functions on the fly. Loops can be recorded, overdubbed, reversed, and deleted with your feet, in real time. The Echoplex is completely MIDI compatible. Performance controls send and receive MIDI; loops and sound files may be saved and loaded via MIDI; and tempos can be synced to MIDI clock. With 198 seconds of memory, 16-bit realtime digital loops, the capability to layer all 9 loops complete with overdubs, simultaneous playback and record, unlimited overdubs with progressive undos, and tap tempo controls, the Echoplex is peerless.
CMC 6 Microphone Amplifier
The CMC 6 is our most popular and modern amplifier. Its electrical properties have set new standards in terms of low distortion levels and common mode rejection (i.e. suppression of interference induced in the microphone cable).
550A Discrete 3 Band EQ
Few equalizers enjoy the respect and admiration of the coveted API 550A. Designed by the now-legendary Saul Walker in the late '60s, the discrete 550A was first used as a modular OEM equalizer. As the industry rapidly embraced the sonic quality of the 550A, it quickly found its way into many custom console designs by Frank DeMedio and other leading engineers. Many of these consoles are still in use today. Forty years later, the 550A remains the standard against which other EQs are measured, and it has played a major role in the recording industry for decades. Still copied but never duplicated, the 550A became API's standard channel module EQ when the company began manufacturing consoles in 1971. With virtually all existing units spoken for, popular demand for this EQ resulted in API finally resuming production in 2004. The 550A provides reciprocal equalization at 21 points in 5 steps of boost to a maximum of 12dB of gain at each point. The fifteen equalization points are divided into three overlapping ranges. The high and low frequency ranges are individually selectable as either peaking or shelving, and a band-pass filter may be inserted independently of all other selected equalization settings. Frequency ranges and boost/cut are selected by three dual-concentric switches, and a pushbutton "in" switch allows the EQ to be silently introduced to the signal path. A small toggle switch is used to insert the band-pass filter into the 550A. The combination of Walker's incomparable 2520 op amp and his "Proportional Q" circuitry gives the 550A user an uncomplicated way to generate acoustically superior equalization. With the long-awaited reissue of this unit, an EQ that has had such a part in the history of recording is continuing to make history in today's music.
Mono Gama Microphone Preamp
The Mono GAMA is the single-channel API 500 Series version of the Golden Age Microphone Amp, with all the capabilities, features, and quality of the original. The Shadow Hills Mono Gama is centered around our custom discrete op-amp. This no-compromise design exudes hugeness, fidelity, punchiness and depth, across the full frequency range, without becoming veiled or choked. The preamplifier input is transformer balanced and utilizes an original Jensen input transformer. We couldn't decide which vintage output transformer we liked best, so we had our favorites perfectly recreated, and included them all. You can change the output transformer by cranking the knob, thus changing the tonal capabilities to compliment to whatever material you are recording. This allows you to audition different settings to find the perfect match for microphone or direct input without patching and un-patching other preamps, and possibly alleviating the need for EQ. Choose between Nickel, Discrete, or Steel settings. Each transformer position is stellar unto itself, but the capability of switching between them is like having three great pre's in one. All the standard Mic-pre features are present: phantom power, phase reverse, a twenty dB pad, and direct input. We have also included the ability to pad and reverse the phase of the Direct Input. Quality is unmatched. Engraved front panels, a twenty four position swiss made attenuator for gain control, custom made knobs, and engraved serial number plates, set the build apart.
1073LBEQ
Mono EQ Module - 500-series
Wavelength
More. That’s the best way we can describe the sounds and features of the Wavelength. We took everything from our Waveland Multi-Modulator and blew it up larger than life, while keeping it the exact same size. We’ve added some welcome improvements like more modulation engines and tap tempo, and some cool surprises like selectable waveforms. It’s a true all-in-wonder for your modulation needs.
Dual Vandergraph
The Shadow Hills Dual Vandergraph is a direct descendant of the Shadow Hills Mastering Compressor and maintains its reputation of unquestionable quality and exceptional performance - in a 500 Series format. It’s inner workings are developed from the discrete gain cells of the Mastering Compressor which are combined with the Optograph’s extremely flexible Sidechain Filter matrix. This combination provides great possibilities for new recording techniques and the dynamic control. This stereo compressor’s fully discrete audio path is Class-A and features Shadow Hills' custom Iron Transformers. The controls are: Ratio, Filter, Compression and Output Level. Just like the Mastering Compressor, the Compression and Output Level controls are Swiss made twenty-four position attenuators. The Ratio switch, selects between: 1.2: 1, 2.5: 1, 4: 1, 8: 1. In addition to changing ratios, each selection changes preset attack and recover times. The Sidechain Filter Matrix controls the frequency sensitivity of the side-chain. The positions are: 90 hertz, 150 hertz, 250 hertz and Bandpass.
1073LB Mono Mic Preamp module
Launched in 1970, the Neve 1073® is the first choice of leading producers and artists, delivering the unique Neve sound on some of the most famous recordings of the past 40 years. Designed and manufactured in England, the 1073LB retains the unique sonic characteristics of the original Neve 1073® Classic microphone preamplifier by using the same architecture, matching components and original hand-wound transformers. And it delivers it in a modern and portable form-factor that professional producers and engineers demand. With new features like a fine TRIM control, switchable microphone input impedance, signal presence LED, intelligent protected switching of front combi-XLR input connector and Neve’s clever Audio Processing Input design, the 1073LB takes your 500-series rack to the next level. Simply install into an empty slot in your compatible 500-series rack, connect your microphone or line level signals and inject that legendary sound into your audio creations.
6 Slot High Current lunchbox®
The API 500-6B lunchbox is a 6-slot rack designed to accept all API standard 5.25" X 1.5" modules. This quality allows an engineer the flexibility to bring along specialized EQ effects to any situation: 550A, 550b or 560. The lunchbox has an internal power supply with a rear panel selected AC voltage switch and a removable power cord. The input/output jacks are XLR. The lunchbox comes standard with a +48 volt internal phantom power supply, bussed to pin 15 for interface with the API 512c Mic Preamplifier. API makes several modules for the 500-6B, including the 512c Mic Preamplifier, the 525 Compressor, the 527 Compressor, the 550A 3-band EQ, the 550b 4-band EQ and the 560 Graphic EQ. Combinations of these modules make perfect stereo recording packages (two 512cs and two 550bs) or vocalist's box (one 512c, two EQs and one 527).
External Touchscreen - 10"
The Trinnov External Touchscreen - 10" is a Faytech produced 10" touchscreen with 2 m/6.5 ft cable and USB connector. Solution for remotely controlling the Optimizer from the mix position. The touchscreen should be connected directly to the Optimizer, or via the KVM Extender and is available for all models.
External 8" Touchscreen
The Trinnov External 8" Touchscreen is the perfect solution for remotely controlling the Optimizer from the mix position. The touchscreen should be connected directly to the Optimizer, or via the KVM Extender and is available for all models
External Touchscreen - 12.1"
The Trinnov External Touchscreen - 12.1" is a Faytech produced 12.1" touchscreen with 2 m/6.5 ft cable and USB connector. Solution for remotely controlling the Optimizer from the mix position. The touchscreen should be connected directly to the Optimizer, or via the KVM Extender and is available for all models.
