The JHS Pedals Colour Box is our attempt to give you the unmistakable sound of plugging your guitar, bass, piano, microphone, or anything else, directly into a vintage Neve preamp. One of the first places this sound was made famous was on the Beatles “Revolution” with the spiky lead guitar lines throughout the song. Since then, countless artists have used this same technique in the studio to get guitar tones that have a compressed and punchy quality that’s hard to find anywhere else. The Colour Box has become a JHS Pedals classic in a matter of just a few years by giving players a sound that before was only available in the studio. With studio grade circuitry and a Lundahl transformer, the Colour Box is a preamp, EQ, overdrive, distortion, and fuzz that will transform any signal you put through it. So let’s open the Colour Box and see how we can color outside the lines…
Condor™ is an analog multi-effect that allows sophisticated control over a wide range of effects including EQ, overdrive, boost, tremolo and filter tones. The pedal has a powerful parametric mids control that ranges from 150Hz to 4kHz along with a three separate low pass filter or bass boost/cut modes. Along with expansive frequency controls, Condor™ has gain and volume knobs and a switchable overdrive circuit for sculpting your ideal guitar tone. Like all Chase Bliss Audio™ pedals, all of these settings can be stored in presets, ramped, or controlled via expression pedal. Every knob and switch is connected to a little digital brain while your guitar signal stays 100% analog and never gets digitally processed.
Is your tone pulling its weight? Put it to work with a Tone Job! This compact Boost & EQ Device is based around the tone-shaping options available in old audiophile-grade stereo preamps, making it a great addition to your pedalboard no matter what instrument you play. So what does that mean, exactly? It means that you’ll hear full frequency response from your Tone Job everywhere you plug it in – guitar, bass, drum machine, synthesizers, steel drums, harpsichord, kazoo, car stereo*, or wherever!
The ParaEq w/Boost gives musicians a powerful, musical, high quality EQ in a conveniently small package. The signal path of the ParaEq w/Boost is comprised of the highest quality components chosen for their transparency, powerful tone shaping capabilities, and low operating noise. With the Empress ParaEq w/Boost your instrument will still sound like your instrument, only better.
The Source Audio Programmable EQ is a thoroughly modern and highly streamlined upgrade to traditional equalizer pedals. This MIDI controllable stompbox provides quick, hands-free access to four different user programmed EQ settings. It has found its way onto the touring pedalboards of David Gilmour, John Mayer, Steven Wilson, The Killers, The Dierks Bentley Band, and more. Whatever your instrument, playing style, or genre, the Source Audio Programmable EQ is the essential tone-sculpting tool for your live rig.
GE-7 Graphic Equalizer
The GE-7 Equalizer pedal offers seven bands of EQ ranging from 100Hz to 6.4kHz, ideal for guitar sounds, with boost/cut of +/- 15dB per band. This lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect.
Pinball tilt EQ - full graphic
You have probably used a tone knob that turns clockwise for more treble & less bass, and counterclockwise for more bass & less treble. This ubiquitous EQ is called a tilt equalizer, and it is able to make quick EQ adjustments with just one knob. Until now, this type of EQ hasn't been tunable - in other words, the frequency filters that make up the EQ have been fixed. Introducing the Pinball, the first fully tunable, precision analog tilt equalizer. Add sparkle to a dark amp, or warm up a bright amp. Get sizzle and bite from humbuckers, or fatten up a single coil. Try it on bass or synth!