Eq

Jackson Audio

Bloom

The Bloom from Jackson Audio is a comprehensive dynamic engine that is designed to give guitarists maximum dynamic tonal control in ways never before possible. A three-fold device, the Bloom manipulates the dynamics of the instrument by way of precisely tuned compression, equalization, boost and sustain circuits which can be activated separately or in tandem with each other. Keep reading below for more information about the BLOOM!

Boss

GE-7 Graphic Equalizer

The GE-7 Equalizer pedal offers seven bands of EQ ranging from 100Hz to 6.4kHz, ideal for guitar sounds, with boost/cut of +/- 15dB per band. This lets you completely control your sound and eliminate unwanted feedback, particularly when connected after a distortion effect.

MXR Pedals

Six Band Eq

The MXR Six Band EQ covers all the essential guitar frequencies and has been upgraded with noise-reduction circuitry, true bypass switching, brighter LEDs for increased visibility, and a lightweight aluminum housing.

MXR Pedals

Super Badass® Distortion

The Super Badass Distortion provides a full and highly responsive spectrum distortion with a 3-band EQ to fine-tune your sound.

Source Audio

Programmable EQ

The Source Audio Programmable EQ is a thoroughly modern and highly streamlined upgrade to traditional equalizer pedals. This MIDI controllable stompbox provides quick, hands-free access to four different user programmed EQ settings. It has found its way onto the touring pedalboards of David Gilmour, John Mayer, Steven Wilson, The Killers, The Dierks Bentley Band, and more. Whatever your instrument, playing style, or genre, the Source Audio Programmable EQ is the essential tone-sculpting tool for your live rig.​

Chase Bliss

Condor

Condor™ is an analog multi-effect that allows sophisticated control over a wide range of effects including EQ, overdrive, boost, tremolo and filter tones. The pedal has a powerful parametric mids control that ranges from 150Hz to 4kHz along with a three separate low pass filter or bass boost/cut modes. Along with expansive frequency controls, Condor™ has gain and volume knobs and a switchable overdrive circuit for sculpting your ideal guitar tone. Like all Chase Bliss Audio™ pedals, all of these settings can be stored in presets, ramped, or controlled via expression pedal. Every knob and switch is connected to a little digital brain while your guitar signal stays 100% analog and never gets digitally processed.

Marshall Amps

JH-1 Jackhammer

For over 50 years, Marshall has been at the forefront of genre defining overdrive and distortion tone. The Jackhammer captures all that classic Marshall drive and takes it a step further. With extreme distortion capabilities alongside accurate EQ parameters, this pedal means serious business.

JHS Pedals

The Clover

In early 1984 BOSS released two strange new devices under the name “The Pocket Series”. One of those devices was the FA-1 FET Preamp and it quickly found its rightful place among the legends of tone when The Edge of U2 used it on the recording of “Unforgettable Fire” as well as placing it in his following touring rigs. The Clover Preamp/Boost is our faithful interpretation of the FA-1 but with several additional features that we believe make this amazing circuit even better. You won’t want to be without your lucky tone-shaper at any gig! The Clover has four standard controls and one rotary switch on the top. The Volume control allows you to set your volume at unity or as a boost to push your amp or dirt pedals. There are three EQ controls to give you tons of control to cut or boost Bass, Mids, and Treble. The rotary switch has three settings: Full EQ, No Mid, and No EQ. When set to Full EQ all three EQ controls are in operation, giving you full control over the full range of EQ available. The No Mid setting is an exact replica of the original FA-1, removing the ability to control the Mids and leaving them in a fixed setting. When in the No EQ mode all the EQ settings are removed and the Clover becomes a straight FET boost, perfect for pushing an amp. On the right side of the pedal there is a Low Cut dip switch. This removes some of the lows if you feel your tone is too muddy and can help you cut through a mix. In addition to the standard 1/4” input and output, the Clover has an XLR output for using as an acoustic or bass preamp. These can be used individually or simultaneously if you want to go to a sound board or interface as well as an amplifier. The XLR output was designed with acoustic and bass players in mind as the Clover is a wonderful preamp that gives you a great amount of control over your sound. There is also a ground lift if you experience some hum when using the XLR output. The Clover is an end all preamplifier / boost circuit for any electric, acoustic, or bass player. The EQ is simple, powerful and doesn’t allow a bad sound. No matter what style of music you play or amp that you use, the Clover will prove to be an indispensable tool. While the Clover excels at being a preamp / boost for dirt pedals, the magic is in pushing your tube amplifier into natural overdrive. The EQ lets you hit the exact spot that your amp is naturally prone to give in at. Push your small wattage amp into natural rich overdrive and distortion or find sounds in your larger more powerful wattage amp that you have never heard before. Strat and Tele players can use the Clover to create extra punch, depth and dynamics that single coil pickups can’t normally achieve, while Les Paul and humbucker players can find clarity, bite and definition galore! From country, rock, metal and even acoustic… The Clover covers every base. Find your unforgettable tone with the luck of the Clover!

MXR Pedals

MXR® Ten Band EQ

The MXR Ten Band Graphic EQ allows for precise tone shaping across ten carefully chosen frequencies with further control over input and output levels.

Boss

EQ-200 Graphic Equalizer

SIMPLY SOPHISTICATED With the 200 series, BOSS introduces a new generation of pedals that pack advanced sound and versatility into a streamlined size that saves space on your board. Grab-and-go controls and multi-function switches make operation easy and intuitive, while onboard memories allow you to store multiple setups for instant recall. All 200 series pedals feature premium audio quality with 32-bit AD/DA, 32-bit internal processing, and 96 kHz sampling rate, as well as support for additional control via external switches, an expression pedal, or MIDI. The EQ-200 is the most flexible compact EQ ever created for guitar and bass. It features two wide-ranging 10-band EQ channels, plus an onboard graphic display that shows the current EQ curve at a glance. Selectable signal flow structures configure the channels for stereo, parallel, or series operation, and it’s even possible to patch in external pedals for deep pre/post tone shaping. Going further, the frequency centers of all 10 bands can be set to three different types, letting you optimize the EQ-200’s performance for different instruments.

JHS Pedals

Colour Box

The JHS Pedals Colour Box is our attempt to give you the unmistakable sound of plugging your guitar, bass, piano, microphone, or anything else, directly into a vintage Neve preamp. One of the first places this sound was made famous was on the Beatles “Revolution” with the spiky lead guitar lines throughout the song. Since then, countless artists have used this same technique in the studio to get guitar tones that have a compressed and punchy quality that’s hard to find anywhere else. The Colour Box has become a JHS Pedals classic in a matter of just a few years by giving players a sound that before was only available in the studio. With studio grade circuitry and a Lundahl transformer, the Colour Box is a preamp, EQ, overdrive, distortion, and fuzz that will transform any signal you put through it. So let’s open the Colour Box and see how we can color outside the lines…

Source Audio

EQ2 Programmable Equalizer

The EQ2 Programmable Equalizer is the most powerful and advanced equalizer pedal on the planet. This exceptional piece of gear builds off the legacy of its predecessor, the Source Audio Programmable EQ, a tremendously popular pedal that landed on the boards of numerous pro guitarists, including six-string icons David Gilmour and John Mayer. The updated EQ2 is a combination graphic and parametric equalizer with 10 fully adjustable frequency bands, stereo ins & outs, MIDI In and Thru jacks, 4 or 8 onboard presets, 128 MIDI accessible presets, an additional 12dB volume boost, and the ability to simultaneously run two separate and unique EQ settings, each of which can be independently routed to either stereo output. But wait, there's more: the EQ2 is also has a hidden TUNER function! How's that for saving space on your pedalboard?

MXR Pedals

MXR® Ten Band EQ

The MXR Ten Band EQ lets you tune your bass or guitar rig in seconds, and it's been upgraded with noise-reduction circuitry, true bypass switching, a lightweight aluminum housing, brighter LEDs, and a second output.

Boss

GEB-7 Bass Equalizer

The GEB-7 is a seven-band equalizer created specifically for the frequency range of the electric bass. Since the frequency range extends down to 50Hz, the GEB-7 is also great for adjusting depth and bottom end of an upright bass with pickups.

Electro-Harmonix Pedals

Analogizer

Got the digital blues? Coat your guitar in warm, organic tone. The new Analogizer thaws out digitally processed guitar, and gives you that analog sound and feel. Boost your solos with up to 26dB of gain. Fatten your sound. The Analogizer is perfect for warming up the harshness of your digitally processed guitar or for thickening up your already warm sound.