Cabzeus is a speaker / cabinet simulator + DI Box pedal, based on sophisticated algorithmic processing. Connected direct to your gears this device enables you to obtain the sound of a miked-guitar amp cabinet without the hassle of doing so. Extending this basic function, we’ve built into Cabzeus a plethora of unique and powerful features that goes beyond simple speaker simulations.
Sansamp Bass Driver DI
Much more than just a direct box, the SansAmp Bass Driver DI is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. Three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the proportion of direct signal and SansAmp circuitry; and active EQ specifically tuned for bass with 12dB of cut or boost. VERSION 2 With the popularity of 5- and 6-string basses going beyond fad status and becoming mainstream, we added a switch to adjust the bass frequency to extend into those lower registers. We also added a mid-range control and a switch to adjust its frequency. The core of the SansAmp Bass Driver and all of its tones remain true to its original design.
The ProCo Model DB1 is a simple passive direct box that offers clean, reliable performance. It can be used for nearly any instrument or signal source, from electric bass, keyboards and drum machines to sub-mixers and external speaker outputs*. The DB1 preserves the “punch” and clarity of the sound that is often lost when mic’ ing a speaker, while eliminating the leakage, distortion and coloration. The signal delivered to the P.A. or studio mixer is crisp and clean - a vital element in retaining the full depth and brilliant sound of digital instruments such as synthesizers and digital drum machines. The DB1 may be inserted into the signal path at virtually any stage required. For instance, a bass guitar signal can be “taken direct” from the instrument for a clean, natural tone, from a preamp or line output for a punchier or “equalized” sound, or from the speaker output of the amp if a dirtier “edge” is desired. For stereo or multi-channel applications such as Keyboards or digital drums we recomend the DB2 or DB4A. The four-channel, rack-mountable DB4A Quad Direct Box is highly recommended for multi-channel applications. Built for the road, but equally at home in the recording studio, the DB1’s rugged 16-gauge steel and aluminum “Uni-box” enclosure is finished in a durable black texture powder coat finish with black anodized aluminum side channels. The uniquely slotted side channels allow for stacking on top or strapping side-to-side of virtually any number of ProCo TradeTools devices using the Uni-box construction. Easy to read control graphics are incorporated into the Lexan® top panel overlay. *properly loaded speaker output.
DISO+ Dual Line Isolator
The Diso+ Dual Line Isolator is a like a swiss army knife for your pedalboard. It converts 1/4 inch (balanced or unbalanced) inputs to XLR balanced output. Protects from accidental phantom power damage. Comes with transformer isolation which allows for ground lifting to kill hum. Features 1/4 inch outputs to allow connection to powered monitor(s) and passive summing network for 1/4 inch outs for Amp or FRFR. On a pedalboard this device acts as a patchbay, eliminating the need to re-patch the board between rehearsal and stage. The greatest benefit: it keeps signal level high and tone intact.
Aura® Spectrum DI Preamp
The complete performance technology solution for acoustic musicians. The Aura Spectrum DI features award-winning Aura Acoustic Imaging technology that enables players to mix studio-mic’d sound with the signal from their undersaddle or soundhole pickup. Housed in a professional quality all-metal case, the Aura Spectrum DI features a 3-band EQ, one-knob compressor, automatic feedback suppression with up to 3 notches, a chromatic tuner, effects loop, plus a high-quality balanced XLR D.I. The included Aura Image Gallery software provides access to an ever-expanding list of instrument Images recorded using our collection of the most sought after microphones. Aura Spectrum DI is not only incredibly versatile, but it also delivers the most realistic acoustic sound available for stage or studio. Fishman’s Aura Image Gallery software allows users to access Images for hundreds of guitar makes and models through our free Aura Image library. Once installed on your PC or Mac, the software also allows Aura Images to be sorted, managed and grouped. Users can then take advantage of the preamp’s open architecture by loading Aura Images via a USB cable.
DI Box Smart direct input box with ultra low distortion, it quietly transfers the sound of guitar or bass directly to the audio system Balanced/unbalanced output, gain switch, cabinet simulator and ground lift function included Zina alloy metal shell Very small and exquisite Specifications Input: 1/4" monaural jack (impedance: 1M ) Output: 1/4" monaural jack (impedance: 1k Ohms) Power Requirements: AC adapter 9V DC (center minus plug) Current Draw: 12 mA Dimensions: 95mm (D) — 45mm (W) — 53mm (H) Weight:278g
The number of A-Designs REDDI's in use on stages and studios all over the world is nothing short of staggering. Quite simply, there just is no better sounding way to convert an instrument or line level signal to XLR. Designed with the help of top studio engineers and bass players, REDDI has been widely praised by engineers and bassists all over the world as the best-sounding DI solution on the market today. It is important to note that the REDDI is not a high-gain device! Its gain structure has been painstakingly engineered to avoid the slightest compromise in sound quality. Inspired by the glorious sound of the Ampeg B-15 tube bass amp, REDDI’s 6N1-P tube-driven amplifier feeds signal directly into a hefty custom output transformer by Cinemag – a key component to providing a harmonically rich tone. REDDI’S extremely wide frequency range (20Hz to 60kHz) prevents in-band phase shift, resulting in outstanding detail and realism. Another major benefit of its wide bandwidth is the prevention of LF phase shift by maintaining a linear response extending below the audible bass range, insuring a full, natural sound. REDDI’S distinctive bright red steel chassis sports a front-panel Neutrik XLR/1/4” combo input jack, balanced XLR output, and a 1/4” thru-put, for sending signal to a bass amp – not only useful for live applications, but also for simultaneously recording direct and miked amp tracks in the studio. A 0-16dB-level control and a bright blue LED power indicator complete the front panel controls. On the back panel are heavy-duty toggle switches for power and ground lift, along with the IEC power outlet. The REDDI’s all-tube circuitry will enhance the character of any electrified instrument run through it – not just bass! Plug the pickup of an acoustic guitar through REDDI to add depth and fullness to its tone. Capture and improve all the richness and life of an electric piano or analog synthesizer. Warm up sterile sounding digital keyboards or drum machines by strapping a REDDI across their output – or two, for stereo!
The DB1050 Passive Multi-Media Direct Box transforms any line level stereo source into a low-impedance (XLR) mono signal ready to be sent long distances to a mixing board or recording console. Its passive design features isolated inputs, a 15dB pad switch, ground lift switch, and Hi-Z/XLR selector switch. Stereo 1/4", 3.5mm, stereo RCA, and XLR line inputs make it perfect for computers, mp3 players, keyboards, projectors, and DJ equipment. RCA inputs feature hardwired Thru outputs for easy integration with DJ gear.
Firefly Tube Direct Box
The Firefly's drive circuit utilizes a 12AX7 vacuum tube, which is the most popular tube made today and can be found in nearly all guitar amplifier designs. This helps provide the character and feel of a vintage device, while still maintaining low distortion and noise profiles common to modern pro audio equipment. The Firefly excels when used on instruments that sound too clinical or one dimensional when recorded directly, adding punch and warmth to bass or guitar tracks both on stage and in the recording studio.
2-Channel, passive DI box with Mono/Stereo switch
High impedance input jack for pick-up, mic, instrument, etc, High impedance output jack for routing original signal to amplifier, Low impedance balanced XLR output for use with a mixing console, Ground lift switch to reduce hum problems Unit is suitable for either on stage, studio and broadcast applications
The Ampeg SCR-DI Bass DI with Scrambler™ Overdrive is a true Ampeg preamp, delivering a wide range of Ampeg tone perfect for the stage. The classic Ampeg EQ offers additional tonal control including Ultra-Hi and Ultra-Lo tone shaping. Plus, you can dial in tube-like grind with the all-new Bass Scrambler overdrive. The SCR-DI has all the connections to get Ampeg tone out of any rig and send it all to front-of-house to ensure the audience hears your tone. With a built-in headphone out and aux in for practicing along with backing tracks, the SCR-DI is also a fantastic practice tool that can fit right into your gig bag.