Phase Shifters

MXR Pedals

Phase 90

The Phase 90 takes you from subtle, spatial shimmer to all-out high velocity swooshing with the twist of a knob.

MXR Pedals

Phase 95

The Phase 95 combines the Phase 45 and Phase 90 circuits-toggled by the 45/90 switch-in a mini housing, featuring a Script switch to toggle between modern and vintage style phasing.

Electro-Harmonix Pedals

Small Stone (Nano Chassis) Analog Phase Shifter

Get the sound that made the Classic 1970 Small Stone famous. Generates thick sweeping phase shifting with liquid transparency. Feedback color control adds a tingling swirl. Blues players dig the Stone's rapid rotating speaker effect. Country players add tasty seasoning to their chicken pickin'. Metal-heads dig its jet plane swoosh.

MXR Pedals

Evh Phase 90

This pedal features both Script and Block style phasing with graphics inspired by Eddie Van Halen's legendary Frankenstein guitar.

MXR Pedals

Script Phase 90 - Led

The Script Phase 90 combines vintage phasing with an LED and AC power jack for modern convenience.

Boss

PH-3 Phase Shifter

The BOSS PH-3 Phase Shifter pedal provides a wealth of vintage and modern phasing effects, including new "Rise" and "Fall" modes for unique, unidirectional phasing. Syncing these phasing effects is as simple as tapping the pedal to the desired tempo, while an optional expression pedal provides realtime control of the PH-3's Rate, Filter and Tempo.

Mooer Pedals

Ninety Orange

Full analog circuit, warm, deep, rich phasing tone 2 Working Modes: Vintage/Modern Vintage: 1974 vintage phasing tone, warm and psychedelic Modern: Modern feeling phaser, rich and deep Full metal shell Very small and exquisite True bypass Specifications Input: 1/4” monaural jack (impedance: 470k Ohms) Output: 1/4” monaural jack (impedance: 10k Ohms) Power Requirements: AC adapter 9V DC (center minus plug) Current Draw: 5 mA Dimensions: 93.5mm (D) × 42mm (W) × 52mm (H) Weight: 160g Setting suggetion:

TC Electronic

Helix Phaser

Extremely Versatile Phaser Pedal with Built-In TonePrint Technology

MXR Pedals

Phase 100

With both a Speed control and a 4-waveform Intensity control, the Phase 100 offers a broad range of sounds.

SolidGoldFX

Athena - Vibraphase

Athena; daughter of Zeus. She’s recognized as strong, yet merciful, she has at least some roots in music, having invented the aulos, a double-reeded flute-like instrument. She’s the goddess of wisdom, war, and in our case, handicraft. She’s also the half-sister of Apollo, which coincidentally shares its name with an awesome phaser we make. Our Athena vibra-phase unit fittingly contains two of the four stages of the Apollo, giving you the juicy, chewy swoosh of our full-featured with a little less brashness and with tons of character to spare. However, like the goddess herself, Athena is much more than a simple feature set and design parameters. Stop us if you’ve heard this one: A Uni-Vibe is essentially a souped up phaser. Well, yes and no. While they are topologically similar, the Uni-Vibe requires a little more fine tuning—asymmetric tuning in this case. Athena has all that. It’s perfectly voiced to hold court with the rest of your effects and your instrument’s natural tone. In short: It’s highly musical and dynamic, just like your playing. Speed, depth, level—these come standard. But where the Athena really earns its keep is in its mode and color switches. The mode switch lets you change between different levels of blending to let a little or a lot of wet signal through. One mode position sets Athena to manual mode, where an optional expression pedal lets you manipulate the sweep of Athena without having to bow. Color gives you three levels of oomph that push the Uni-Vibe character into overdrive, essentially giving you a high, medium and low amount of throb for some truly inspiring textures. Adding Athena to any of your solos or chordal work is an excellent idea, dredging up rich harmonics while generating serious spatial movement. It’s time to pay tribute to your tone.

Old Blood Noise Endeavors

Dweller Phase Repeater

What if a phaser could remember itself? Dweller remembers. It remembers far too much. From familiar phase and vibe sounds to resonant random step filtering, warm delays, and previously unheard in-betweens, the Dweller is capable of countless sonic textures with five controls and six modes.

Native Audio

Midnight V2

The Midnight V2 tap/ramp phaser is finally here and it's loaded with some new and updated features that take an even deeper dive into the world of phasing. Less is more: You may have noticed that the phase/vibrato and 2-stage/4-stage switches are gone! What the heck? Don’t worry though, I cover this later. Also, the switches were removed to better fit the 5-knob/1-switch layout that is well known with the NativeAudio tap/ramp pedals (I mean you know, consistency is key). Mix knob: Probably one of the biggest key efforts in this update was to incorporate a mix knob and well… it was definitely worth it! All the way counterclockwise is a 100% dry-analog signal, while fully clockwise will give you a 100% wet-analog signal. The benefit to this is that you’re able to get those 2-stage/4-stage tones and anywhere in between, simply at the turn of a knob (see I told you to not worry). Vibe, phaser, vibrato… the Midnight does it all. Internal volume: Having control of your volume is essential when it comes to playing and that’s why I decided to keep the volume as a controllable parameter on the Midnight. Located inside the Midnight’s enclosure is a trim pot where you can add up to +12 dB of gain to your signal. It’s kind of one those things where you set it and forget it. I mean who doesn’t love simplicity? Updated circuit: I’ve updated the Midnight’s signal path to have a tighter bass response, but still provide enough warmth and lower frequency content to keep the phasing sounding full and lush. The noise floor has also been considerably reduced, which allows for near-silent conditions when not playing. Standard: As always, the Midnight features: all-analog phasing, up to 5 selectable waveforms, both tap and ramp modes, 4 selectable subdivisions in tap mode, both latch and momentary ramping, top-mounted jacks, 9VDC/50mA operation, and more! The Midnight is a phaser pedal that expands on traditional analog phaser design. By utilizing digital control, the Midnight offers five global waveforms to its two modes: tap and ramp. Tap mode offers tap tempo functionality with four available subdivisions. Ramp mode allows the user to set a slow and fast phasing speed and accelerate between the two, emulating a classic rotary speaker cabinet.

Electro-Harmonix Pedals

Bad Stone Phase Shifter

EHX has resurrected the legendary Bad Stone Phase Shifter. With prices of 1970s’ vintage Bad Stones soaring, now is your chance to get a reissue that is faithful to the original circuit design and three-knob control layout, but features up-to-date enhancements for the modern player. The Bad Stone delivers an incredible six stages of phase shifting plus a manual mode that lets the player freeze the phase. Its Rate knob controls the phase shifting speed which goes from a very slow swoosh to a rapid, oscillating warble. Feedback determines the depth of the phase effect and a toggle switch lets the user select Auto or Manual modes. In addition to the die-cast package, other modern amenities include true bypass for maximum signal path integrity, an effect status LED and an AC jack that accepts an EHX9.6DC power supply.

Walrus Audio

Lillian Multi-Stage Analog Phaser

Strap into the co-pilot seat and join Lillian on a sonic journey. Leaving nothing behind but clean, puffy white trails of whirling, pulsating and whooshing analog Phase effect. Viewers from below admire in a trance as it transforms the air into a unique and mesmerizing moment. The Lillian is a true bypass, all analog, multi-stage Phaser drawing inspiration from her cousin Julia. With controls like Rate, Width, Feedback, and D-P-V blend, the Lillian is packed with a wide array of analog phaser goodness waiting to be dialed in. The “Stages” switch allows the user to select 4 or 6 stages which alters the overall voice of the effect from warm and tight phasing with 4 stages to a more complex filtered sound with 6. The D-P-V knob lets you blend between dry, phase shifted, and vibrato sounds allowing for a wide range of control over the intensity and type of effect. Top mounted input, output, and power jacks as well as soft switch relay bypassing make the Lillian fit well on your board and ensure smooth operation for years to come. Borrowed from the Julia, the unique blend between Dry, Chorus and Vibrato has also been provided on the Lillian. Blend between Dry, Phase Shifted, and Vibrato (labeled d-p-v on the pedal). The Dry-Phase-Vibrato blend changes the ratio of dry to wet signal sent to the output. At minimum, you will hear no effect. Set it to noon for equal parts dry and wet – the traditional Phaser setting. Set it to maximum for 100% wet resulting in pitch vibrato. Explore the ground between minimum and noon for adding slight amounts of movement to your dry signal. Explore the ground between noon and maximum for all sorts of unheard phase/vibrato combinations.

Boss

PS-3 Digital Pitch Shifter/Delay

The PS-3 contains both a pitch-shifter and a delay. There is seven pitch shift modes, and three delay modes as well as an expression mode. The pitch shift level is selectable in 26 steps – 24 chromatic steps over a +/- 1 octave range plus 2-octave up-down capability. The delay is up to a maximum of 2000 ms just like the DD-5. Modes Delay, 32ms – 125ms Delay, 125ms – 500ms Delay, 500ms – 2000ms Detune, adds a slightly pitch-shifted sound to the input sound to create a detune effect Fast Pitch Shift, very little delay in pitch shifted sound. Good for slightly shifted sounds. Slow Pitch Shift, more delay in pitch shifted sound but very accurate. Good for greatly shifted sounds. Inverse Pitch Shift, a mode where the pitch shifted sounds are reversed Detune & Detune, adds two slightly pitch shifted sounds to the input signal to create a fat detuned effect. Detune & Pitch Shift, detune output from Output A and Pitch Shifted sound from Output B Pitch Shift & Pitch Shift, Pitch shifted sounds from both output. Pitch A controls Output A and Ptch B controls Output B Expression, A connected expression pedal will set the pitch shift between Pitch A and Pitch B