Compression is the process of attacking the higher levels of a signal keeping them under a specified threshold. Sustain is the process of amplifying the lower levels of a signal, thus creating more sustain the sound. Compression and Sustain pedals do both of these things simultaneously to create a more leveled signal starting from the attack points all the way through the end of the signal.
The new Xotic SP Compressor offers the same OTA (operational transconductance amplifier) technology used in what many guitar players consider the best compressor ever, the Ross Compressor. Our new SP Compressor has superb tone quality featuring a wide variety of compressor tones from vintage,to subtle, to modern and more. It's super flexible and features a dry blend knob, up to +15dB of boost and an internal dip switch for attack control. This compact design is a powerful tool for the working musicians. True bypass for eliminating any signal interference when switched off. Can be used with AC adaptor (optional) or 9V Battery.
Deep Six Compressor V2
The Deep Six is a true bypass studio-grade compressor in stomp box form, inspired by the performance of the Universal Audio 1176 with the simplicity of the Ross and Dynacomp. Offering a Level, Sustain, Attack, and Blend control, the Deep Six will give you unmatched versatility at a price you can afford. The pedal can be powered from a 9V battery or DC Supply. Polarity will never be an issue as the Deep Six comes standard with a polarity correction circuit. The internal voltage is doubled to 18 volts giving you the maximum amount of headroom for your sound while maintaining a typical current draw of 8.9mA for extended battery life. The Deep Six also offers a Blend and Attack control which allows you to use the pedal with active pickups or humbuckers. The blend feature allows you to use high output instruments while truly being able to dial out any distortion that may be present.
Green Russian Big Muff Distortion/Sustainer
Back by overwhelming demand... in a mini package! The cult classic Green Russian Big Muff first shook the ground in the mid-1990s. Since then it has been heralded by guitarists and bassists for its devastating low-end and unique sludge and sizzle. The Green Russian Big Muff creates a huge tone that is all its own, but is undeniably Big Muff.
The Bloom from Jackson Audio is a comprehensive dynamic engine that is designed to give guitarists maximum dynamic tonal control in ways never before possible. A three-fold device, the Bloom manipulates the dynamics of the instrument by way of precisely tuned compression, equalization, boost and sustain circuits which can be activated separately or in tandem with each other. Keep reading below for more information about the BLOOM!
Mini Ego Compressor
Now widely regarded as the industry standard in guitar pedal compression, the Mini Ego Compressor brings a new level of of control to what is expected and needed by today's guitar players, in a mini Format. What does a compressor do? A compressor adds an element of control to your playing level – it will bring the quieter parts up and the louder parts down. While an ordinary compressor pedal can give you an element of control, a great compressor will give you the “feel” that other average compressors lack. If you’ve played a great tube amp when it’s being pushed hard, you’ll know what a great natural compressor feels like. Based on the incredible success of the original Ego but featuring switches for tone (dark and bright) and attack (slow and fast) you can tweak your tone to a standard of a pedal twice its size. By keeping the clean blend of the original, your original signal to be blended in so you can get all the benefits of a great compressor (picking up the notes that aren’t as strong and increasing sustain) but you have the option to remove the squash at the front by bringing the bypassed signal in. With this control, you can have full country squash or open studio level parallel compression. Basically, the Mini Ego gives you complete control of every aspect of your compression. So, with a comprehensive array of controls and a core tone that is pure, you won’t find a compressor that works perfectly as an “always on” or as “an effect” that is more highly regarded than the Mini Ego from Wampler Pedals.
Classic optical compressing sound with smooth attack and decay,further more, it preserves the original signal transients perfectly Full metal shell Very small and exquisite True bypass Specifications Input: 1/4" monaural jack (impedance: 470k ) Output: 1/4" monaural jack (impedance: 1k Ohms) Power Requirements: AC adapter 9V DC (center minus plug) Current Draw: 10 mA Dimensions: 93.5mm (D) Ã— 42mm (W) Ã— 52mm (H) Weight:160g
Pulp 'N' Peel V4
The Pulp ‘N’ Peel V4 is the truly transparent compressor pedal you’ve been hoping for and much more. Its smooth-sounding parallel compression circuit offers you the power to blend in your ideal balance of compressed and uncompressed signal. You’re able to add a touch of grit to your tone thanks to the pedal’s Dirt mini toggle. Also, whether you’re a bassist sending your signal direct or a guitarist running the Pulp ‘N’ Peel on your pedalboard, the pedal’s ¼” and balanced XLR outputs have you covered. This compressor/preamp pedal sports a ton of tone-shaping power. So no matter what your compression needs, the Pulp ‘N’ Peel V4 is your go-to solution.
FORCEFIELD COMPRESSOR FORCEFIELD COMPRESSOR provides all the sweet vintage dynamics control that the legends of rock ‘n’ roll and country music were built on. From the subtle sustain enhancement that gently boosts a sweet, but softly played interlude or blues passage, to the full-on hard-knee compression that makes your guitar pop in the mix – you’ll find it all and more here in the FORCEFIELD COMPRESSOR. All-Analog Awesomeness By its very nature, compression is one of the most difficult effects to explain, but here goes… By controlling the maximum level of a signal, a compressor limits the dynamic range, while maintaining a higher average loudness. You can use compression to: reduce really loud passages; or bring up the level of the most-subtle nuance – and sustain it for days. You often feel compression more than you hear it, and when applied properly, it can either be sweet and smooth, or tight and punchy. FORCEFIELD COMPRESSOR’s vintage circuit design lets you tap into everything from the sweet sag of a tube amplifier, to the unapologetic smack of a sledgehammer! Old-School Feel Vintage analog compression differs greatly from modern studio compression. Instead of the ultra-glassy transparency of high-end rack gear, you get generous gobs of warmth and the smooth tonal characteristic that has shaped the sound of rock and country music from their early beginnings. From sublime, bluesy sustain of classic rock, to the snap of country chicken-pickin’ that pops out of the mix beautifully – you get it all with FORCEFIELD COMPRESSOR.
Deep Six Compressor V3
Updated in all the right places for top notch tone and playability. Updates to the V3 are as follows: • Added Tone knob (bass cut) for the ability to shape the low end of your guitar signal. • Soft switch/relay bypassing for smoother more reliable operation. • Moved to top mounted in/out jacks. • Updated art by Adam Forster that gives a humble nod to the original art that started it all. The Deep Six is a true bypass studio-grade compressor in stomp box form, inspired by the performance of the Universal Audio 1176 with the simplicity of the Ross and Dynacomp. Offering a Level, Sustain, Attack, and Blend control, the Deep Six will give you unmatched versatility at a price you can afford. Polarity will never be an issue as the Deep Six comes standard with a polarity correction circuit. The internal voltage is doubled to 18 volts giving you the maximum amount of headroom for your sound while maintaining a typical current draw of 8.9mA. The Deep Six also offers a Blend and Attack control which allows you to use the pedal with active pickups or humbuckers. The blend feature allows you to use high output instruments while truly being able to dial out any distortion that may be present.
Compact compressor pedal offers exceptional multiband compression plus a sweet vintage compressor mode Advanced MD3 multiband dynamics algorithm applies perfectly tailored compression to highs, mids and lows for an ultra-musical result Warm vintage mode lets you play with a classic stompbox compressor tone TonePrint-enabled to let you beam cool signature tones into your pedal with the free TonePrint App Design your own customized compression effects from scratch with free TonePrint Editor for PC, Mac*, and iPad* True bypass allows for optimum clarity and zero high-end loss when the pedal is off Optional buffered bypass mode prevents high frequency loss from long cable runs Simple, easy-to-use controls let you focus on playing Compact format fits on any pedal board High-quality components to give you a true studio-grade compressor in a pedal format Sturdy die-cast metal case designed for life on the road 3-Year Warranty Program* Designed and engineered in Denmark
Op-Amp Big Muff Pi Distortion/Sustainer
With original late-70s Op-Amp Big Muffs selling for exorbitant prices, Mike Matthews decided to take the power to the people and reissue the classic pedal at a price that players could afford! The circuitry of the new Op-Amp Big Muff —sometimes also referred to as the IC or V4 Big Muff— has been faithfully re-created while several practical enhancements have been added including a compact, die-cast chassis and true bypass switching. “The Op-Amp Big Muff was popularized by the brilliant Billy Corgan who first used it on the Smashing Pumpkins’ epic 1993 album Siamese Dream. After he was videotaped playing and talking about the reissue, Billy stated: ‘The magic’s still in the box, I can still get what I’m looking for!’” - Mike Matthews The pedal relies on op-amps rather than transistors and three gain stages rather than four, to create its signature sound. It’s a sound that’s been described by noted Big Muff collector and historian, Kit Rae, as: “a huge, crushing Big Muff sound with more crunch… great for grungy, wall-of-sound distortion, heavy rhythm playing and heavy leads.”
CPR1 – Compressor
Recording studios often use rackmount ‘vocal channels’ – a mic preamp, compressor, and EQ all in one unit as a front end for vocal recording. The Diamond Compressor is our take on a ‘guitar channel’ – a dynamics and tone shaping tool for live and studio use, with low-noise, ultra-linear signal buffering, smooth opto-based compression, and a versatile ’tilt’ EQ that musically shifts overall frequency balance. All in a user-friendly 3-control package – Comp, EQ and Volume. Click here for a sample MP3 clip of the Diamond Compressor with EQ on. The guitar used is a Fender American Standard Strat (2nd Pos), into the compressor, and out to a Fender Vibro-King. The sample starts with no effect and then switches to an effect.