Reverb

Musicians are widely embracing the reverberation effect in music to achieve that "filled up room" sound. Check out the best reverb pedals on RigShare being played by musicians around the world!

Strymon Flint on RigShare
Strymon
Strymon

Flint

The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made it’s way onto countless records and performances—from early surf, swampy bayou blues, spaghetti westerns, film noir soundtracks, to modern day indie rock. There are certain things in life that just belong together—the blend of tremolo and reverb create the perfect pair. Given this storied history, there was no doubt that we wanted to develop a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities, and faithfully accounted for every detail in our hand-crafted algorithms. Flint harnesses the complete power of a SHARC DSP to authentically exhibit these details. Flint gives you the soothing, pulsating, and hypnotic effects that were pioneered in vintage amplifier tremolo circuits, along with three classic and completely unique reverb algorithms. You get the sonically complex ’61 Harmonic Tremolo, the swampy and sultry ’63 Power Tube Tremolo, and the sharp and balanced ’65 Photocell Tremolo. You also get the classic ’60s Spring Tank Reverb, the inventive ’70s Electronic Plate Reverb, and the nostalgic ’80s Hall Rack Reverb. With eight parameters to tweak, you get extensive control over the tremolo and reverb characteristics. Go from splashy, pulsing twang, to throbbing, swampy blues, all the way to ambient, trembling, and serene reverberated pads. Couple that with true bypass, and a high quality analog front end and output section, and you have yourself the history of tremolo and reverb in a pedal-board friendly format.

Colton Crosby
Zach Zook
Ronnie Smith
Sam
Podge Cross
Mel Symphonic
Mark Matthewson

40 Rigs

Walrus Audio Slö Multi Texture Reverb on RigShare
Walrus Audio
Walrus Audio

Slö Multi Texture Reverb

The Slö Multi Texture Reverb allows players to create lush, modulated, sleepy and ambient soundscapes. Stocked with three different algorithms specifically designed to invoke textures for bringing dreams from your subconscious to reality. The toggle switch allows three different reverb modes, Dark (Lower Octave), Rise (Ambient Swell) and Dream (Latching Pad), while secondary functions on the switch change between different wave shapes for the modulation on the reverb trail. Combine deep modulation with long washy trails and experience, the Slö. ALGORITHMIS: DARK – Add a lower octave to your reverb trail. Here you'll create deep and wide atmospheric sounds and channel nightmarish soundscapes. X knob sets the level of a -1 octave signal that feeds the reverb. RISE – This is an auto-swell reverb for beautiful cinematic swells. Don't rush it. Let it breathe and gently wake up. X knob sets the amount of time it takes the reverb to swell in after a note is played. Set lower for shorter rise times and higher for longer rise times. DREAM – Here is a lush reverb with a latching pad function. Press the sustain switch to latch signal. Experiment with the X knob to add vibrato over the pad. Press sustain again and pad will decrescendo according to where decay knob is set. X knob sets the depth of vibrato applied to the reverb trail. The Slö also features 3 different wave shapes accessible by holding down bypass while switching the algorithm toggle. SINE – Smooth and even pitch up and down modulation. WARP – Asymmetric pitch up modulation similar to a warped record. SINK – Asymmetric pitch down modulation for sinking detune similar to a Bigsby. MOMENTARY FUNCTIONS: Bypass: When the switch is in off position, press and hold to temporarily activate the effect to add a moment of reverb texture. Releasing the switch turns the effect off, and fades it out. Sustain: When pressed, the decay switch ramps up the reverb trail to maximum creating long dreamy reverb trail and then ramps back down to the decay knob setting when released. In the “Dream” algorithm, the sustain switch is latching. Press it once to capture and sustain the current reverb decay for extremely long pad-like sounds. Press it again to let the reverb trail taper off, based on the position of the decay knob. TRAILS MODE: The Slö can run in trails or no trails mode. In trails mode, when you turn the pedal off, the reverb decay dies off naturally. In no trails mode, the decay is abruptly cut off when you turn the pedal off. To toggle between either mode, hold down the bypass switch for 1 second while applying power to the pedal. Unplug power and repeat to toggle to the other mode.

シ ュ ー ゲ イ ズ
Eric Cooper
Benjamín Starý
Jason “Pic” Reed
Dan
DF Echeverri
Justin Rosa
Rodrigo Lopez de Toledo
Anthony Malito
Bram Vanmassenhove

12 Rigs

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